Wednesday, April 5, 2017



DESIGN AND CONSTRUCTION OF FLYING AIRCRAFT CARRIER

X-45 Unmanned Combat Air Vehicle (UCAV)





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The first X-45A Unmanned Combat Air Vehicle (UCAV) technology demonstrator completed its sixth flight on Dec. 19, 2002, raising its landing gear in flight for the first time. The X-45A flew for 40 minutes and reached an airspeed of 195 knots and an altitude of 7,500 feet.
Credits: NASA Photo / Jim Ross
The Joint Unmanned Combat Air Systems (J-UCAS) program was a joint DARPA/Air Force/Navy effort to demonstrate the technical feasibility, utility and value for a networked system of high performance, unmanned air vehicles to effectively and affordably prosecute 21st century combat missions, including suppression of enemy air defenses, surveillance, and precision strike within the emerging global command and control architecture. One of the aircraft systems evaluated was the Boeing X-45A, for which NASA Dryden provided technical expertise and support facilities.

The X-45A was the first of two UCAV demonstration versions to be used in advance of fielding operational systems.


Project Goals


The project's goal was to demonstrate that a highly autonomous aircraft could suppress enemy air defenses or serve in a strike role. Dryden's participation in the UCAV System Demonstration Program was to support the DARPA/Boeing team in the design, development, integration, and demonstration of the critical technologies, processes, and system attributes, leading to a UCAV Operational System. Initially, Dryden supported the program through the various stages of flight development, including autonomous flight of two aircraft on separate flight paths that later joined for formation flight.

The design of the flying aircraft carrier 

A Blended wing body (BWB or Hybrid Wing Body, like a fixed-wing aircraft having no clear dividing line between the wings and the main body of the craft. The form is composed of distinct wing and body structures, though the wings are smoothly blended into the body, unlike a flying wing which has no distinct fuselage

The Blended Wing Body (BWB) is being considered as the next generation commercial airliner.  The trend is towards larger aircraft that can carry more people, economically while reducing the number of operations from airports.  He noted that recent surveys have identified about 60% of the delays are due to the number of aircraft saturating the airspace, as anyone who has been delayed can attest, the ramps and runways of airports.  This movement of more people on fewer aircraft has been defined by NASA as “The Lure of Large Aircraft”.  There are a lot of other infrastructure problems that also need resolving like terminal congestion, parking facilities and, adequate loading gates. 
     There is a very competitive large aircraft market as illustrated by the AirBus decision to produce the A3XX that could carry about 650 people on two decks.  The intra-Asian market is another area that can utilize high density loading.  They are already doing it with Boeing Super 747s rigged for full economy seating to haul 550 people over the short distances between cities.  The trade off is less fuel, but it isn’t needed for the short runs.  This is going to be a problem for the Chinese in about 10 years as they become more affluent and want to travel throughout their country. 
     Another aspect of large aircraft design is the ability to adapt it to the all cargo market.  Al didn’t hasn’t really seen the full logic behind the idea yet, but NASA is pursuing it.  With used Boeing 747s available at relatively low prices, along with other smaller aircraft that are readily available, the market for a new large cargo hauler may not be as great as expected by NASA.  However, the military gets interested it design and helps defray some of the startup costs, then the picture for the commercial markets could change. 
     Gavin asked the question about whether or not the design would allow for doing quick conversions between people and cargo moving to get better airframe utilization.  Al noted that due to internal structure and layout of this particular design, it would be very difficult to do the conversion on a daily basis.  The interior design includes a lot of chordwise bulkheads to form several different passenger compartments across the span of the center section.  There would be more passageways to negotiate with seat pallets getting them to the doors and removing the overhead compartments. 
     Al went on to say that you really have to start thinking differently when it comes to unconventional configurations, but there are potentials for breakthroughs.  Eventually, someone will take the bold step to do the development work on these designs and then sell them to the air traveling public.  This is one of the biggest questions that there isn’t a good answer for right now.  People have been used to the “tube with wings” concept for almost 90 years and it will take some doing to get them into an unconventional one.  
     (ed. – Some years ago there was a proposal for multi-blade, external fans for aircraft like the MD-80, but surveys found the public wouldn’t fly on them because they had “propellers”.  But maybe the introduction of aircraft like the B-2 and some of the next generation fighters currently starting qualification testing will turn the tide toward flying wing acceptance by the public.) 
     So where are these potentials.  The biggest kicker is to take the body of the airplane and morf it with the   wing, then you get a body that produces lift merging with the spanloader idea.  You can’t take it to the point of a true flying wing due to the added wing area at the outboard ends creating too muchdrag.  So you end up with a blended wing body that looks like the one below.  The lift to drag ratio can be increased from something like the 747’s 17 to the a range in the mid 20’s for the BWB.  This savings in drag translates into substantial economic and environmental benefits.  This particular model would be expected to use 20-25% less fuel, require 10-15% less weight (or conversely allow for more paying payload) and result in 10-15% lower direct operating costs. 
    This was all started by a design study in 1989 by Dr. Dennis Bushnell, Chief Scientist at NASA Langley.  He foresaw the need for a commercial aircraft that could carry 800 passengers over 7000nm and a speed of .85 Mach.  This was the result of that design study which was originally McDonnell Douglas’. 
     One of the more interesting facets of this design was the position of the engine inlets.  Since they are right down on the wing surface, they are ingesting the boundary layer so any airflow sucked into the engines can be ignored as drag.  This gives a huge increase in the L/D due to the decrease in drag.  There are also a lot of control surfaces on this version, however, the larger inner surface has been eliminated in follow-on designs.  As part of what Al was talking about earlier, notice the 290’ span that won’t fit into the current passenger terminal infrastructure.  This makes this configuration non-viable as a solution to the high density passenger carrying BWB. 
      Al then moved from the outside features to the inside layout of the airframe.  The diagram shows how thisapplies the spanloader concept by having the weight out where the lift was being produced.  The passenger compartment goes out into the wing structure area which is obviously different that a conventional fuselage.  Outside of the passenger area are the main fuel tanks which also run out into the wings, further moving weight out to the lifting areas.  This is entirely different than the point loads of the fuselage arrangement.  
     In an overlay comparison of the BWB to the 747, you can graphically see why there is a problem with this particular BWB design.  You can park 747s side-by-side at current passenger terminal gates, but the BWB’s 290’ span makes this impossible.  Both Boeing and McDonnell Douglas looked into folding the wings like aircraft carrier jets, but determined that the public would not like to fly on an airplane that looked broke.  Another idea was to caster the wheels so the aircraft could come into the gate area slightly sideways, but this means higher weight in the landing gears. 
     Staying on the inside, Al put up a slide of a full scale mockup of a section of the passenger compartment.  One of the first questions everyone asks is where are the windows.  In this design there are no real passenger windows, but each seat will have a multi-functional LCD screen on the seat in front of them.  A selector will allow the passenger to select from a number of views, including looking to the rear and straight down. 
    The other obvious thing in the pictures are the really heavy structural walls between the compartments.  Al now went on to answer Ralph Wilcox’s question about how hard is it to pressurize a square box versus a cylinder.  The heavy walls are one of the ways and due this extra weight they also cut into the ultimate potential gains Al talked about in the first part of his presentation.  However, he also commented that it is expected enough gains will be made on the aerodynamic side to offset the extra structural weight.  Gavin asked about putting a series of round section within the wing to carry the pressurization loads.  Al commented that this was looked at, but in the final analysis it was determined that weight wise it is better with the current design parameters.  He did note there are some fatigue questions that still need to be worked out before there is any commitment to building something like the BWB. 
     Al moved along to the direct operating cost analysis between a 747, a new conventional design like theAirbus 3XX, and the BWB at the year 2015.  
As the condition of conducting amphibious operations is the conquest of the air and sea superiority in the landing area, assault ekranoplans do not require heavy armament. The need to lay down suppressive fire on the beaches can be satisfied by Multiple Launch Rocket System (MLRS). Given the likely volume of fire missions it is best to have on board 12 220mm rockets or 40 122mm rockets. With this equipment, the possible number of troops on board the ekranoplan of two to three hundred tonnes of displacement can be estimated at one company of infantry with standard weapons and equipment. 

THE PROPOSED FLYING AIRCRAFT CARRIER WITH BWB DESIGN ALLOWING THE WING AS THE FLIGHT DECK FOR DRONES OR 

Unmanned Combat Air Vehicle (UCAV)

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Therefore they have been intended to go at a most extreme of three meters over the ocean however in the meantime could give take off, stable “flight” and safe “arriving” in states of up to 5-meter waves.
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These specialties were initially created by the Soviet Union as fast military transports, and were construct for the most part in light of the shores of the Caspian Sea and Black Sea.
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Flyin Aircraft Carrier Project
In 2005 specialties of this sort have been ordered by the International Marine Organization so they likely ought to be viewed as flying ships instead of swimming planes.
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It is additionally intriguing to note that this airplane is one of the biggest ever worked, with a length of 73,8 meters (contrasting and 73 of Airbus A380
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The numbers all show the BWB makes gains in the areas of operating costs, fuel efficiency, gross weight and nitrous oxide emissions.  This last item is of great concern to NASA since they have been linked to the green house gases.  Here there was a 17% expected gain for the BWB predicated on the fact there are no major breakthroughs in engine design during this period.  Some of the gains will come from a combination of many little improvements over the entire airframe versus one or two major improvements. 
     Gavin ask Al whether or not the airlines would be behind these types of changes in aircraft design.  Al commented that in his opinion changes in the environmental laws will probably create the need for such aircraft to meet things like emission standards.  If airport and airspace congestion rules are changed, the aircraft will have to change and the airlines will go along because they will have too. 
     The next slide was a comparison of the benefits and challenges.  The benefits include: lower operating costs; lower production costs; reduced airport/airspace congestion; lower fares; reduced environmental impact and; improved safety.  Operating costs he had already covered.  Lower production costs come from not have as many tight bends so the manufacturing costs go down.  Although the number of aircraft at terminals won’t go down, they will be moving more passengers with each departure which will impact congestion by preventing its escalation.  It is felt this design concept is at least as safe, and possibly saver, than a convention design. 
     The challenges included:  structures and materials; aero-structural integration; aerodynamics; controls; propulsion-airframe integration; systems integration and; infrastructure.  Structures is back to the pressurization issues and the integration issue revolves around making the structure clean enough to work aerodynamically and achieve the savings potential. 
     Aerodynamics is a separate issue from the aerostructures.  Imagine that this design has an elliptical span load associated with it, so that is the minimum induced drag for this vehicle.  Then think about the lift coefficient that needs to be produced for this type of wing.  Since the span load is chord dependent the center body section with its wide chord had no problem meeting the requirements.  But as you move out towards the tips you reach a pinch point where the chord narrows sharply.  The problem is going to tip stalling due to the high taper ratio and the loading out there.  This is a problem for the aerodynamicist since the aircraft must takeoff and land.  This means you need to generate high lift coefficients, which puts you close to the stall, which is also close to the departure.  Of course the last thing you want is a passenger aircraft with bad departure characteristics, so how do you get the lift coefficients at the pinch point to avoid these problems or at least degrade elegantly so you don’t lose control of the airplane. 
      Ralph asked the question about boundary layer control at that point on the wing.  Al commented that it had been looked at and there was still a problem even using vortex generators.  Boeing went to slats on the outboard section since this would generate a lot of lift on this portion of the wing.  The disadvantage of this system is that slots and slats have really bad hysterisous effects, so once stalled it might be hard to get back.  NASA is still looking into this area. 
     On systems integration, Al noted that this area is becoming more and more complicated.  This is the digital fly-by-wire systems so you can control the way in which the aircraft reacts to the control inputs.  This particular design has a nose slice just before reaching the stall, so some method is needed prevent in inadvertent departure.  The digital controls with its accelerometers and other sensors feeding back information, the control surfaces in the affected area can be deployed upward to decrease the span loading and move it inboard.  This will prevent the airplane from departing, but it is so sensitive that any external changes can have major effects on the departure characteristics. 
     Gavin asked a question about what types of construction techniques would be used for this aircraft.  Al said it was planned to be built by bending tin and used the 747 as an example.  If you look at the outer wing panels on the 747 and compare them to the same panels on the BWB you find they are very similar.  Since the BWB was originally a McDonnell Douglas design, the outer wing sections were based on the DC-12 which was never produced because of the buyout by Boeing.  This then became a good starting point so the center body construction problems became the focal point of further development. 
     Al moved on to the really big issues of structure and aero-structural integration; non-cylindrical pressure vessel.  How do you pressurize something that doesn’t look like a tube or a sphere.  Initial thoughts were to use conventional metallic structures, but more recently thoughts have been turning towards composites like graphite stitched epoxy resins.  They are questioning whether this would help with the pressure structure problems and perhaps also save some weight.  
     There is another issue with joints between the various panels.  One of the things NASA does with their test aircraft is go through a ground vibration test.  Hopefully this predicts what the structural modes are in the wing.  The is a mass suspended by a fairly rigid beam structure which will vibrate at a particular frequency and a guess is made as to what it will be based on the existing structure. 
     With metal airframes there is an I-beam with a plate on the top, the skin, that is riveted in.  It turns out that due to the factors of give, flex and friction the actual frequency actually, when tested, comes out lower than the prediction.  This goes back to the fly-by-wire system where the pilot can make a jerk input to the stick which would give an almost perfect square wave input to the system.  The system looks at it as a change to the angle of attack.  In most airplanes the change would occur gracefully with some overshoot and then stabilize out, which is the short period frequency.  If this frequency is the same frequency as the structural wing bending the aircraft will catastrophically fail.  The pilot can’t be told not to make these types of control inputs, especially if they are fighting an aircraft in turbulence while landing.  
     Now we bring in the composite structure.  Some composites joints are glued together and other are not, so in some cases there are butt joints where the load transfers are harder to calculate.  In tension and compression there is pretty good data, but not in the bending.  Apparently the joints don’t handle the stresses that same way in each direction so this makes the calculation much more difficult.  At this point in time there just isn’t a lot of experience on how to handle these types of joints on airplanes.  This is due to the load having to transfer from one skin, through the flange or other connecting structure, to the other skin.  Since the cloth fibers are not running continuously along the known stress line, the calculations become much more complex. 
     Another major issue that will need to be worked in the future, but is not a top priority at this point, is the outer surface “bulging” that will occur as the aircraft is pressurized.  These bulges will form in-between each of the main structural bulkheads forming the passenger compartments.  Obviously this will deform the elegant cruise airfoil shape that is being planned, so it has to be taken into consideration in the design.  When doing this with composites it becomes even more difficult due to the lack of experience in this area. 
     Another set of challenges that up early on were just the aerodynamics.  This is still looking at an 800 passenger, big BWB aircraft with three engines sucking in air over the upper surfaces boundary layer.  After running computation fluid dynamics to predict what the flow would be, they found two areas of reverse flow.  One was where the lift coefficient was very high, right at the sharp break in the trailing edge and right over the control surfaces.  The other problem is putting people inside the airfoil which now has to be thicker than people are tall.  This gives you a very thick, transonic airfoil which sets up new challenges to overcome the various shock waves and resulting wave drag.  All these are bad things that need to be addressed and viable solutions found before continuing. 
       Ride quality is another issue that needs to be looked at.  When you put all the control surfaces in close together in one location fore and aft, the whole aircraft is affected by turbulence at one time.  So given the same level of technology in control feedback systems as currently used on conventional aircraft with control surfaces spread out over the wing and tail surfaces, the ride quality of the BWB, or a flying wing, will be worse.  New feedback technologies need to be developed for the improving ride quality without letting things get so sloppy that the pilot can’t control the airplane.  
      Along with the digital fly-by-wire comes the all electric subsystems; everything is electronic onboard the aircraft.  This is a very common in the military in aircraft like the Air Force’s F-16, but is just now starting to become more prevalent in commercial aircraft.  Doug Fronius asked if this meant no hydraulics and Al commented that there were still hydraulic actuators being controlled electrically at the site of the control surface.  Doug noted that the next generation of military aircraft coming along will truly be all-electric with no hydraulic subsystems.  Although there are some supporting subsystems on commercial aircraft at the present time, both Doug and Al indicated all-electric main systems were probably a long way off. 
      Dominique Viellard asked about the thickness of the boundary layer.  Al said he wasn’t sure about the numbers, but did estimate it could be a couple of feet thick at the rear of the centerbody section of the wing.  The chord at this point is close to 160’, so Al wouldn’t be surprised if the it reached these larger thicknesses. 
 Ralph Wilcox asked about what the wing loading would be for this type of wing.  Al commented that when you go to a flying wing you need to bring the numbers back down from what you would have for a conventional aircraft.  So instead of having the 105-120 numbers for things like the Boeing 7X7 series, you need something like 95-105.  This is easier to do on the BWB since you have so much more wing area. 
      Gavin Slater asked about the problems associated with boundary layer ingestion (BLI) on the three engines at the back of the aircraft.  Engines don’t like to see a lot of distortion at the compressor face and, this will become even worse at high angles of attack.  The boundary layer will get much thicker and it presents many problems in designing ducts or making changes to the engines themselves.  (ed. – This problem has led to a different engine configuration as shown below.  The engines have been moved up on pylons to get them out of the boundary layer flow at all times.) 
      Al moved on to the infrastructure problems noted earlier.  The ICAO wants to stay with the 80m (262 ft.) wingspan separation between terminal gates, so this becomes an intractable problem.  The 800 passenger version was also a double-decker which presented another set of problems with the existing gate structures.  The two decks also raised concerns over passenger safety in a crash situation where the upper deck could collapse onto the lower one.  The last issue was how to you handle 800 passengers for several airplanes at a time in terminals not designed to handle that volume of humanity. 
     SO, this all had the engineers at Langley pulling their hair out.  The upper left segment of the slide shows a 1% spin tunnel model at Langley.  They tried a couple of different models and the one that is going to be flight tested showed high yaw rates.  There also appears to be an auto-rotation tumble mode that was observed in the tunnel tests.  The lower left segment shows a model in the acoustics chamber being tested of radiation’s from things like the radio antennas.  The other pictures on the slide show some of the various models that were put through further tunnel testing leading up to changes in the configuration that will be flight tested. 
      Al then laid some background on the changes that were being made for the upcoming flight test model.  The top picture below are of the models Ilan Kroo and his graduate students at Stanford University built and flew as proof of concept vehicles.  The top one is a 6’ R/C model flown with fairly stable static margins.  There were two versions, one with gas power for longer flights and one with electric power (cleaner and quieter).  The lower picture below is the 17’ version with a true closed loop control system using a MacIntosh laptop computer as the processor for this system.  This was a twin engine, gas powered model with multiple control surfaces, each one controlled by an electric actuator designed and built by the students.  Ilan also designed the internal instrumentation systems. 
      The large number of control surfaces presented their own unique troubles.  Since any one control deflecting upward will cause the aircraft pitch up the question became one of how best to control the mixture of movements.  They had to determine whether there were any pitfalls like airflow separation as the controls moved in differing amounts.  Some of these questions are being answered through wind tunnel tests. 
      Andy asked Al what caused the phenomenon on the model where the control surfaces appeared to be flopping around during ground taxi.  Al indicated the controls were responding to the inputs from onboard sensors being activated by bumps in the taxiway.  Due to the low airspeed associated with taxiing, the control deflections to correct the sensed conditions were large and therefore drove the surfaces to their stops.  The electric actuators are very fast, so it appears the surfaces are just really loose on the hinges.  Al noted this occurs on current fly-by-wire aircraft in the military as they taxi, you just have to look closely to see it. 
      As Al continued, he noted one of the big questions revolves around something they call “behavior quantification”; how does the aircraft behave, what does it do.  They have problems with stall, the aeroelastic properties cause dive problems during the pull out,  and a mach buffet with an “ugly” tuck.  Then there is the issue of engine out performance since it doesn’t have real strong directional stability.  If you loose an engine, what is the Vmca really going to be?  The last issue is stability margin in terms of pitch, lateral and overall directional control. 
      Up to this point everything that he had been talking about revolved around the 800 passenger version that was studied under a NASA contract that ended in 1996.  At that time the Douglas division of McDonnell/Douglas picked up the study and continue it on their own money.  These studies resulted in design you see below, which was frozen sometime late last year.  The Douglas division of Boeing then continued the project and have further refined the design, which no longer looks like this drawing.  However, this is the design version NASA is continuing with for wind tunnel testing and construction of the remotely piloted vehicle (RPV).  It is 14.2% scale with a 35’ wing span.  The flight control systems are being designed at the Dryden facility, but the actual construction and installation of the boxes is being done at Langley.  Boeing is also providing engineering support for the vehicle.  
      One of the first things you notice on this design is the engines having been raised out of the boundary layer flow.  This was the fastest and easiest way to solve the inlet and compressor problems trying to deal with the turbulent flow off the rear of the wing, especially in high angle of attack flight.  Since this was going to be one of the hardest problems to solve and may not have been economically feasible, the simpler approach was taken.  
      Although hard to see in the drawing, the control surfaces are spread out differently.  There are now 16 control surfaces instead of 22, but it still have the split elevons in the last four outboard elevons, with the outermost two being ganged together.  It is all electric with no hydraulics on board, using control actuators taken from an air-launched munitions program.  These actuators are designed to work for 90 seconds, yet the test vehicle is being designed to last for 100 hours, so there was another problem than needed to be worked out.  It turned out that the actuators were way over designed for the munitions application and probably would last much longer in the less demanding environment of the BWB.  The model was also being built in such a manner that the actuators could be easily removed if they showed signs of failure. 
      The next problem they had to overcome is which digital controller would drive which control surfaces.  To maintain a minimum level of redundancy, each controller must drive actuators at different parts of the wing so the failure of one controller will not bring the aircraft down.  A little later there was a discussion between Al and Doug about the software NASA is using so the controllers know which one takes the lead and how the entire system determines when the lead controller is actually have a problem and needs to be relieved by a secondary unit.  This got a little deep on the technology side, so not much more will be covered here. 
      Power will be provided by three Williams turbojet engines from target drones that are designed to operate for about 10 hours.  The same issues came up here as with the actuators, plus there was no low idle setting (below 90 lbs.) on the fuel control (the Navy didn’t need low idle for in-flight launch so it was not designed in by Williams).  The spool up time was also not acceptable since the engine would take 33 seconds from idle to the full thrust of 240 lbs.  After long discussion with Williams and a lot of money, NASA got their supply of engines with a 35 lb. idle setting and a much faster response time from idle to full power.  Since the test vehicle only needs about 190-200 lbs. per engine, a detent was placed on the pilot’s throttle console to limit thrust at 200 lbs.  This will make the engines last well beyond the 10 hours.  The pilot will have the ability to remove the detent in the event of an engine failure and more power is needed from the remaining engines. 
      The wing does have slats on the leading edge, however, they do not have actuators so are locked in a fixed position depending on the type of test to be conducted.  The original plan called for a ballistic recover chute to save the model, but that has been removed and replaced by triple redundancy in the control software (remember spreading out the control surfaces between controllers) and dual redundancy on hardware.  The various antennas will be integrated into the structure to try and keep the surface as clean as possible.  There will be a spin recovery chute since plans call for spin testing of this model, along with attempts to make it tumble. 
      Al mentioned that the weights shown in the slide were dynamically scaled to the commercial, full size version.  He gave the example of scaling something down by one half, which results in a piece of hardware that has one quarter of the area, one eighth the volume and one eighth the mass (dynamic scaling).  The other scaling factor is moment of inertia.  NASA has a very specific set of weights, moments of inertia, area and size targets for this project.  The 2,700 lbs. represents the scaled maximum takeoff weight of the full size aircraft.  On the other hand, the 2,300 lbs. minimum (empty) weight is well above the truly scaled 1,300 lbs.  This is due to the fact you can’t always economically scale down things like actuators and other types of hardware, computer systems and other instrumentation.  They are not satisfied with the high weight and are trying to get it down below 2,000 lbs., but they are not sure this will happen.  The construction is all carbon fiber and Al gave as an example of weight savings the winglet’s vertical surfaces.  These have a design weight of 7 oz. including all hinges, horns, ribs, etc., and will have to withstand a max speed of 140 knots.  Based on what they know now it doesn’t look like they will make that weight, but at least it will be the minimum they can make it. 
      One other thing he wanted to cover on this slide was the relationship between the 14.2% scaling factor and the 35’ wing span.  If you do the math they don’t come out to the 289’ of the model he was talking about at the beginning the presentation.  That’s because this model is for the smaller, 450 passenger, single-deck version that Boeing is working towards.  This is still bigger than a current B-747, so many of the earlier noted problems regarding infrastructure still apply. 
      The next slide shows the molds being built at the Langley facility.  The pictures were taken in June and work has now progressed to the point of laying cloth into the molds.  However, all of the structural analysis has not be completed so they are not sure how many layers of carbon fiber will be needed.  So the engineers are in the catch-up mode trying to get the numbers put together so the technicians can get back to building.  The 3% wind tunnel model was nearing completion and it was expected it would go to the tunnel in late September.  This model is correct configuration for the skins that are waiting for the final numbers. 
      The lower right portion of the slide shows the general layout of the test model with fuel tanks and elevons located in and one the center section.  The wings will be separate which is mainly so the model can be shipped more easily with the plan being to use a large motorhome that doesn’t have any interior (just a big box on wheels).  Alternate shipping plans include using Air Force C-17 training missions and, as a last resort, paying to ship it on a Super Guppy. 
      What NASA is doing here is looking at the flight characteristics of the BWB class of vehicles.  Although the test model doesn’t reflect the latest developments in design changes (as a result of freezing the design for the models purposes), all the test data will be extrapolated to the latest versions using data obtained over the life of the project.  
       The next slide was a listing of the goals for the ELP (Envelop Limits Program) research, which is where all this is leading too.  Things like what happens when you stall it, spin it, tumble it and can it be recovered aerodynamically.  Can these modes be prevented aerodynamically using the controls surfaces on the aircraft and, if you can’t what will it take in terms of the system software, etc. 
       At this point Al took a few minutes to explain a little more about dynamic scaling.  If everything goes as planned, the model’s scaling will exactly duplicate the aerodynamic forces are work in all phases of flight.  So the numbers they get from a wing tip’s helix angle as it falls off in a stall will be exactly what the full scale aircraft would see under the same angles of attack.  There are a couple of gotcha’s here, one being mach number since the model will be nowhere near that of the full size aircraft.  For the low speed end this shouldn’t be too much of a problem, but they can’t do anything about the differences in Reynolds numbers between the vehicles.  
      For those of you who are concerned with how your government spends its money, Al noted one of the things they are trying to do keep this program under cost control and set an example for future projects.  It is a partnership venture between the design engineers at Langley, the flight research group at Dryden and Boeing to do everything right the first time around.  
      At this point Al went into his summary.  The BWB offers potential for substantial economical and environmental benefits.  The BWB is a high-risk, high-payoff conceptual platform and it is felt NASA’s involvement is appropriate.  NASA is now committed to investigating the low-speed stability and control attributes of this confirguration.


Making It Fly Stability and control and ride quality are significant challenges to development of the BWB. Normally, all-wing configurations are difficult to stabilize without resorting to techniques that increase overall drag. The stability and control behavior of the Blended-Wing-Body resembles that of a jet fighter rather than a commercial transport. Advanced flight control systems will be required to control the aircraft at various flight conditions. This approach allows the center-of-gravity to be located further aft, which helps reduces drag for this type of design. The low-speed stability and control characteristics will be validated when a subscale demonstrator vehicle -- now under construction at Stanford University -- is flown. The demonstrator will have a 17-foot wing span and will be remotely piloted. Placing the Engine The BWB program is examining a new method for engine installation that promises to increase safety and fuel efficiency. Three advanced “high-bypass ratio” engines will be buried in the trailing edge of the outer section of the BWB wing, allowing the center of the craft free for flight deck use. While conventional aircraft engines only take in “free-stream air,” both the air on and near the surface of the wing will flow through the BWB’s curved inlets and into its engines. Taking in the layer of air on the wing surface reduces drag. While this technology will require validation before becoming a reality, researchers are initiating tests to determine acceptable levels of turbulence in the engine inlet

Boeing is preparing a 1000 passenger jet that could reshape the Air travel industry for the next 100 years.The radical Blended Wing design has been developed by Boeing in cooperation with the NASA Langley Research Centre.The mammoth plane will have a wing span of 265 feet compared to the 747’s 211 feet, and is designed to fit within the newly created terminals used for the 555 seat Airbus A380, which is 262 feet wide.The new 797 is in direct response to the Airbus A380 which has racked up 159 orders, but has not yet flown any passengers.Boeing decide to kill its 747X stretched super jumbo in 2003 after little interest was shown by airline companies, but has continued to develop the ultimate Airbus crusher 797 for years at its Phantom Works
research facility in Long Beach, Calif.

The Airbus A380 has been in the works since 1999 and has accumulated $13  billion in development costs, which gives Boeing a huge advantage now that Airbus has committed to the older style tubular aircraft for decades to come.There are several big advantages to the blended wing design, the most important being the lift to drag ratio which is expected to increase by an amazing 50%, with overall weight reduced by 25%, making it an
estimated 33% more efficient than the A380, and making Airbus’s $13 billion dollar investment look pretty shaky.

High body rigidity is another key factor in blended wing aircraft, It reduces turbu lence and creates less stress on the air frame which adds to efficiency, giving the 797 a tremendous 8800 nautical mile
range with its 1000 passengers flying comfortably at mach .88 or 654 mph (+-1046km/h) cruising speed another advantage over the Airbus tube-and-wing designed A380’s 570 mph (912 km/h) The exact date for
introduction is unclear, yet the battle lines are clearly drawn in the high-stakes war for civilian air supremacy.











Tuesday, April 4, 2017



Indians and Cowboys: Music and Photos of the Old West




Modern travel: The photograph taken by John C.H Grabill in the 1880s was titled 'The Deadwood Coach' and shows formally dressed passengers both on top and inside
Modern travel: The photograph taken by John C.H Grabill in the 1880s was titled 'The Deadwood Coach' and shows formally dressed passengers both on top and inside
Striking it rich: Washing and panning for gold in Rockerville, Dakota. Three old timers named Spriggs, Lamb and Dillon are pictured in 1889
Striking it rich: Washing and panning for gold in Rockerville, Dakota. Three old timers named Spriggs, Lamb and Dillon are pictured in 1889
Ready to roll: A line of oxen and wagons along the main street in Sturgis in the Dakota Territory which was taken between 1887 and 1892
Ready to roll: A line of oxen and wagons along the main street in Sturgis in the Dakota Territory which was taken between 1887 and 1892
Horse hero: Comanche, the only survivor of the Custer massacre of 1876. It was a regimental order that the 7th Cavalry cared for the animal 'as long as he shall live'
Horse hero: Comanche, the only survivor of the Custer massacre of 1876. It was a regimental order that the 7th Cavalry cared for the animal 'as long as he shall live'
Indian camp: Home of the Lakota (Sioux) tribe pictured in 1891 near the Pine Ridge reservation with a watering hole called White Clay Creek
Indian camp: Titled Villa of Brule, this was the home of the Lakota (Sioux) tribe pictured in 1891 near the Pine Ridge reservation with the White Clay Creek watering hole
New town: John Grabill charted how towns such as Hot Springs, South Dakota, sprung up across the Midwest as the railways grew
New town: John Grabill charted how towns such as Hot Springs, South Dakota, sprung up across the Midwest as the railways grew
Wagon train: Oxen lead out the wagons in a photograph titled 'Freighting in the Black Hills' taken between Sturgis and Deadwood
Wagon train: Oxen lead out the wagons in a photograph titled 'Freighting in the Black Hills' taken between Sturgis and Deadwood
Braves: A portrait of a band of Big Foots (Miniconjou) in an open field, at a Grass Dance on the Cheyenne River, watched by soldiers from the 8th U.S. Cavalry and 3rd Infantry
Braves: A portrait of a band of Big Foots (Miniconjou) at a Grass Dance on the Cheyenne River, watched by soldiers from the 8th U.S. Cavalry and 3rd Infantry
Peace council: The Indian chiefs who ended their war with the U.S. Army. Their names included Standing Bull, High Hawk, White Tail, Little Thunder and Lame
Peace council: The Indian chiefs who ended their war with the U.S. Army. Their names included Standing Bull, High Hawk, White Tail, Little Thunder and Lame
Progress: The people of Deadwood celebrate the completion of a stretch of railroad in 1888 with a parade along the town's Main Street
Progress: The people of Deadwood celebrate the completion of a stretch of railroad in 1888 with a parade along the town's Main Street
Army exercise: Soldiers from Company C of the 3rd U.S. Infantry carry their rifles as they spread out near Fort Meade
Army exercise: Soldiers from Company C of the 3rd U.S. Infantry carry their rifles as they spread out near Fort Meade
Happy band: Mining engineers with their wives and a couple of tame deer get together for an impromptu campside musical concert
Happy band: Mining engineers with their wives and a couple of tame deer get together for an impromptu campside musical concert
Living side-by-side: A school for Indians at Pine Ridge, South Dakota. There is a small Oglala tipi camp in front the large government school buildings
Living side-by-side: A school for Indians at Pine Ridge, South Dakota. There is a small Oglala tipi camp in front the large government school buildings
As the railroads went further west, so the settlers followed. Grabill's image Horse Shoe Curve in the shadow of the Buckhorn Mountains
As the railroads went further west, so the settlers followed. Grabill's image Horse Shoe Curve in the shadow of the Buckhorn Mountains


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Most famous photo of the Wild West: 132-year-old shot of Billy the Kid up for sale... for $400,000

Outlaw: Henry McCarty, also known as Billy the Kid, depicted in this undated tintype photo, circa 1880
Outlaw: Henry McCarty, also known as Billy the Kid, depicted in this undated tintype photo, circa 1880
He went down in history as the most famous gun slinger in the Wild West, but little record exists of legendary outlaw Billy the Kid.

One single authentic photograph - that historians can agree on - remains. Now, it's set to be offered to the public for the first time ever.
Bids on the credit card-sized tintype photo is expected to fetch as much as $400,000 when it goes up for auction in Denver next week.

The photo was taken outside a saloon in Fort Sumner, New Mexico, when Billy the Kid, born William Henry McCarty and later known as outlaw William Bonney, was barely out of his teens.
Experts estimate it was taken around 1879. But 132 years later, it endures as the most recognisable photo of the American West.
The Kid gave it to his friend, Dan Dedrick, and it's been kept in the family for the last century, going on public display only once at Lincoln County Museum in New Mexico in 1986 to 1998.

It was famously featured a book by Pat Garrett, the sheriff who gunned Billy down on July 14, 1881 -130 years ago next month.
Relatively unknown during his own lifetime, he was catapulted into legend that year by Garrett's tome, The Authentic Life of Billy, the Kid.


The photo will be up for auction at Brian Lebel's Old West Show & Auction at the Merchandise Mart in Denver, Colorado on June 25 and 26.

Auctioneers estimate it will bring in between $300,000 and $400,000, though some say it could fetch as much as $1million.
Up for auction: The Old West Show & Auction at the Merchandise Mart in Denver, Colorado, where the iconic image will go up for sale next Saturday  
Up for auction: The Old West Show & Auction at the Merchandise Mart in Denver, Colorado, where the iconic image will go up for sale next Saturday

The New York Times reported that there will be 'armed guards' when the photo is previewed on Friday.

Other purported photographs of Billy the Kid have surfaced over the years, but none have ever been authenticated, Old West Auction founder, Brian Lebel says on the company's website.

'This is it,' he said. 'The only one.'  
THE KID: HOW HE WENT FROM OUTLAW  TO FOLK HERO
Billy the Kid has been described as a vicious and ruthless killer - an outlaw who died at the age of 21 having raised havoc in the New Mexico Territory.
It was said he took the lives of 21 men, one for each year of his life, the first when he was just 12.

The more likely figure was nine, but this and many more accusations of callous acts are merely examples used to create the myth of Billy the Kid.
In truth the Kid, born Henry McCarty but later known as outlaw William Bonney, was not the cold-blooded killer he has been portrayed as but a young man who lived in a violent world where knowing how to use a gun was the difference between life and death.

He was a master of his craft and enjoyed showing off his gun-twirling abilities to his friends, taking a revolver in each hand and spinning them in opposite directions. But in his quieter moments he would meticulously clean his firearms.
He was also good-natured and generous, but his reckless 'they’ll-never-catch-me' attitude would eventually lead to his his downfall. 

Relatively unknown during his own lifetime, he was catapulted into legend the year after his death in 1881 when his killer, Sheriff Pat Garrett, published a sensationalised biography  The Authentic Life of Billy, the Kid.

After this, Billy the Kid grew into a symbolic figure of the American Old West.

On the run from his enemies and the law, the Kid had made a living by stealing horses and cattle, until his arrest in December of 1880. Five months later, after being sentence to death for the killing of Sheriff Brady during the Lincoln County gang war, the Kid broke out of jail by killing his two guards.
But he decided not the leave the territory after his escape when he had more than enough time to do so, allowing Garrett to catch up with him at the home of Pete Maxwell in Fort Sumner, New Mexico, on  July 14, 1881.

How the West was REALLY won: Early settlers on the coach to Deadwood and in pow-wows with the natives revealed in 19th century photographs

The Wild West as it really was rather than how Hollywood has imagined it is revealed in this extraordinary collection of pictures.
The grainy photographs, taken in the late 19th century in and around the notorious gold mining town of Deadwood, provide a unique, sepia-toned glimpse of the Wild West. The images were published in American papers this week after being released by the U.S. Library of Congress.
Deadwood — recently brought to life in an acclaimed TV drama series of the same name, starring Ian McShane — has gone down in legend as a riotous and lawless town that was home to the likes of ‘Wild Bill’ Hickok, Calamity Jane and Wyatt Earp.
And yet many of the pictures, taken by the pioneering photographer John C.H. Grabill, show how the reality was rather different to the traditions instilled by decades of Hollywood Westerns.
The bushy-bearded old timers are pictured panning for gold, native American Indian chiefs are seen posing solemnly in full headdress. There is the ugly scar of a mining town on a hillside and the tepee encampments of ‘hostiles’ such as the Lakota Sioux.
The expressions of weather-beaten earnestness on the faces of frontiersmen and Native Americans alike are what we have come to expect, but there is barely a six-shooter to be seen hanging from anyone’s hip, the wagon trains are pulled by oxen, not horses, and everyone on the Deadwood Stage is wearing a jacket and tie, dressed more for a business meeting than a Sioux attack.
THE LEGEND OF DEADWOOD
In 2004 a three-series TV Show based on the early days of Deadwood was aired in the U.S.
The first season was based on the founding of the town in 1876, soon after Custer's Last Stand, and shows the lawlessness of Deadwood where greed and corruption are rife.
It also introduced well-known characters such as Wild Bill Hickok, Colonel Custer, the Sundance Kid and Calamity Jane. 

Season two represents life a year after the first season and marked the arrival of the telegraph and showed the town progressing in early 1877 with new conveniences including a bank.
The architecture of the town starts to take shape with inhabitants moving out of walled tents and into more permanent structures.
The final season concentrated on the establishment of law and commercialisation before Deadwood is brought into the Dakota territory.
When it was finished there was talk of TV movies being filmed but they are yet to come to fruition.
Between 1887 and 1892, Grabill sent 188 photographs — taken using an early technique that used albumen, or egg white, to bind together the chemicals — to the Library of Congress for copyright protection.
Deadwood in South Dakota was founded shortly after the discovery of gold in the neighbouring Black Hills in 1876.

As miners flocked to the town and its population quickly grew to 5,000, the wagon trains brought in not only supplies but gamblers, prostitutes and gunfighters.
Grabill (who also famously photographed the aftermath of the Wounded Knee massacre in which the U.S. Seventh Cavalry killed up to 300 Native American men, women and children) chronicled the settlement’s rapid expansion from a collection of tents to a fully-fledged town that celebrated the completion of a connecting railway with a parade down its main street in 1888.

Long before the arrival of the white man, the land was home to the Cheyenne, Kiowa, Pawnee, Crow and Sioux (or Lakota) Indians.
The settlement of Deadwood began in the 1870s, despite the town lying within the territory granted to Native Americans in the 1868 Treaty of Laramie, which guaranteed ownership of the Black Hills to the Lakota tribes.
However, in 1874, Colonel George Armstrong Custer led an expedition into the Hills and announced the discovery of gold on French Creek.
This triggered the Black Hills Gold Rush and gave rise to the town of Deadwood, which quickly reached a population of around 5,000.

In early 1876, frontiersman Charlie Utter and his brother Steve led a wagon train to Deadwood containing what were deemed to be needed commodities to bolster business.
The wagon train also brought gamblers and prostitutes, helping the town to boom - but with a bawdy reputation.

As the economy changed from gold rush to steady mining, Deadwood lost its rough and rowdy character and settled down into a prosperous town.
One of the subjects of Grabill's photographs is the last survivor from the battle of Little Bighorn - a horse called Comanche.

The battle took place between soldiers under the command for General Custer and the combined forces of Lakota, Northern Cheyenne and Arapaho people
Every soldier in the five companies under Custer was killed and Comanche, who belonged to Captain Keogh, was found wondering the battlefield.

It is thought, however, that the Indians may have captured some of the American army's animals.
Other images chronicle a time otherwise only imagined on film; from prospectors panning for gold to the early interactions between settlers from the East and the native Americans who inhabited the Midwest.

Little is known about Grabill’s life before or after his work in the Midwest.
There is speculation that he moved to Colorado - Denver Public Library is in possession of some of his work - or that he moved back to Chicago.
What is surprising is that a man who dedicated his life to charting people and communities left no self portrait, memoir or anything else with which to remember Grabill the man.

Doris Day in Calamity Jane (1953) 

Ian McShane as Al Swearengen, the brother keeper in Deadwood 

Legendry: Deadwood has long captivated the imagination of writers. In 1953 Doris Day starred in the Wild West themed film musical, Calamity Jane (left). Then, 51 years later Ian McShane played Al Swearengen, the owner of the Gem Saloon, a popular brothel in the centre of the town
Rebel Indian called Little who started the Indian Revolt at Pine Ridge, 1890   
Rebel Little   
Rebel: A native American named Little, leader of the Oglala band, started the 1890 Indian Revolt at Pine Ridge. He sat for this studio portrait  between two Euro-Americans
Red Cloud in full headdress and American Horse in Western clothing  
Oglala women and children seated inside an uncovered tipi frame  
Two faces of the native American: Oglala chiefs Red Cloud in full headdress and American Horse wearing western clothing and gun-in-holster. Women and children seated inside an uncovered tipi frame in an encampment near Pine Ridge Reservation.



Unforgiven: Legendary gun slinger Billy the Kid denied a pardon 130 years after death

No forgiveness: Henry McCarty, known as Billy the Kid, will not have his name cleared after 130 years after his death
No forgiveness: Henry McCarty, known as Billy the Kid, will not have his name cleared after 130 years after his death
Billy the Kid, one of the New Mexico's most famous Old West Outlaw's, will not be given a posthumous pardon, it was revealed today.
He killed at least three lawmen and tried to cut a deal from jail with territorial authorities nearly 130 years ago.
But a campaign led by Albuquerque attorney Randi McGinn to have the outlaw has failed after Governor Bill Richardson decided it was not warranted.
It had been claimed that Henry McCarty - known as Billy the Kid - was shot dead by Sheriff Pat Garrett in 1881 despite being promised clemency for testifying in a murder case.
He was killed a few months after escaping from jail.
Territorial Governor Lew Wallace allegedly offered the pardon in return for evidence.
But Governor Bill Richardson said on ABC's Good Morning America today that the notorious outlaw would not be forgiven.
According to legend, the outlaw killed 21 people, one for each year of his life. But the New Mexico Tourism Department puts the total closer to nine.
Richardson, a former U.N. ambassador and Democratic presidential candidate, waited until the last minute to announce his decision. His term ends at midnight tonight.
Staff members have said there were no written documents 'pertaining in any way' to a pardon in the papers of the territorial governor, Lew Wallace, who served in office from 1878 to 1881.
Delay: Outgoing governor Bill Richardson waited until his final day in office to say he was not giving the outlaw a pardon 
Unforgiven: Outgoing governor Bill Richardson waited until his final day in office to say he was not giving the outlaw a pardon
Governor Richardson's office set up a website and e-mail address to take comments on a possible posthumous pardon for the outlaw. Some 430 argued for forgiveness and 379 opposed it.
The site was set-up after Albuquerque attorney Randi McGinn submitted a formal petition for a pardon.
McGinn argued that Lew Wallace had promised to pardon the Kid for testifying about the 1878 killing of Lincoln County Sheriff William Brady.
She said the outlaw kept his end of the bargain, but the territorial governor did not.
Governor Richardson said today he had decided against forgiving Billy 'because of a lack of conclusiveness and the historical ambiguity as to why Governor Wallace reneged on his promise.'
'We should not neglect the historical record and the history of the American West,' Richardson said.
The grandson of Sheriff Pat Garrett, who shot the outlaw, and the great-grandson of Lew Wallace reacted with outrage when it was suggested Billy should have been given a pardon.
The Kid was a ranch hand and gunslinger in the bloody Lincoln County War, a feud between factions vying to dominate the dry goods business and cattle trading in southern New Mexico.
Governor Richardson has said the Kid is part of New Mexico history and he's been interested in the case for years. He's also pointed to the 'good publicity' the state received over the pardon.
William Wallace, great-grandson of Lew Wallace, said his ancestor never promised a pardon and that forgiving the Kid 'would declare Lew Wallace to have been a dishonorable liar.'
Wallace, apparently told Kid: 'I have authority to exempt you from prosecution if you will testify to what you say you know.'
THE KID: HOW HE WENT FROM OUTLAW  TO FOLK HERO
Legendary: The Kid was a ranch hand and gunslinger in the bloody Lincoln County War
Legendary: The Kid was a ranch hand and gunslinger in the bloody Lincoln County War
Billy the Kid has been described as a vicious and ruthless killer - an outlaw who died at the age of 21 having raised havoc in the New Mexico Territory.
It was said he took the lives of 21 men, one for each year of his life, the first when he was just 12.
The more likely figure was nine, but this and many more accusations of callous acts are merely examples used to create the myth of Billy the Kid.
In truth the Kid, born Henry McCarty but later known as outlaw William Bonney, was not the cold-blooded killer he has been portrayed as but a young man who lived in a violent world where knowing how to use a gun was the difference between life and death.
He was a master of his craft and enjoyed showing off his gun-twirling abilities to his friends, taking a revolver in each hand and spinning them in opposite directions. But in his quieter moments he would meticulously clean his firearms.
He was also good-natured and generous, but his reckless 'they’ll-never-catch-me' attitude would eventually lead to his his downfall. 
Relatively unknown during his own lifetime, he was catapulted into legend the year after his death in 1881 when his killer, Sheriff Pat Garrett, published a sensationalised biography  The Authentic Life of Billy, the Kid.
After this, Billy the Kid grew into a symbolic figure of the American Old West.
On the run from his enemies and the law, the Kid had made a living by stealing horses and cattle, until his arrest in December of 1880. Five months later, after being sentence to death for the killing of Sheriff Brady during the Lincoln County gang war, the Kid broke out of jail by killing his two guards.
But he decided not the leave the territory after his escape when he had more than enough time to do so, allowing Garrett to catch up with him at the home of Pete Maxwell in Fort Sumner, New Mexico, on  July 14, 1881.
few metres away from me, in the centre of a grassy field, six Cherokee warriors are performing a dance.
It is, unquestionably, an impressive sight. Loud war cries fill the air. Tomahawks are wielded. And there is a sense of panther-like power and stealth about their movements as, dressed in deerskins and moccasins, faces daubed in bright paint, they prowl in a circle.

Warrior line-up: Cherokees (left to right) Mi Gi Ko Ga, Antonio Grant and Sony Ledford perform a dance to commemorate the annual Fall Festival at the Sequoyah Birthplace Museum in Vonore, Tennessee
It is not, I must admit, what I had expected of my first journey into Tennessee. Here is a corner of the USA well known in tourism terms, but mainly for the music – woozy blues and cowboy-hat country – that emanates from its noisy, celebrated cities of Memphis and Nashville. The sufferings of the continent’s indigenous people, on the other hand, are – it is probably fair to say – rarely listed as a reason why you might visit the Deep South.
But this is changing. The Cherokee dance I am witnessing is part of the annual Fall Festival at the Sequoyah Birthplace Museum – an institution (near the Cherokee National Forest in Vonore County, towards the lower edge of Tennessee) that attempts to safeguard the history and culture of a people who have not always been treated fairly in the land of their origin.
The persecution of the native population of America in the 19th century (and subsequently) is a dark stain on a country that touts itself as the ‘land of the free’.
Already pushed inland by the arrival of colonial Europeans, the fate of the tribes who occupied the fertile soil of what is now the Deep South took a terrible turn in 1838. The Indian Removal Act, pushed through by then-president Andrew Jackson, started a decade-long process that saw the ejection of Native Americans from the lands east of the Mississippi (the modern states of Tennessee and Georgia especially), and their transfer to less coveted terrain further west (in particular modern Oklahoma).
Cherokee
Cherokee
Native spirit: Kody Grant (left) and Mi Gi Ko Ga (right) brandish war clubs and tomahawks
Several tribes were directly affected – including the Seminole, Choctaw, Creek and Chickasaw. But – as I absorb them at the museum – it is the bare statistics of the Cherokees’ removal that leaves me stunned.
The vast area they inhabited – originally comprising 40,000 square miles across eight states, and prized for its river access – was desired by settlers, traders and gold seekers. Jackson’s aggressive legislature was initially resisted by around 80 per cent of the tribe, with only 2,000 of the 16,000 Cherokee population agreeing to make the journey west voluntarily, deeming it futile to stay and fight. The rest, once the deadline for leaving had passed, were rounded up by the army and marched into concentration camps. From there, they were forced to make the almost 900-mile journey west by foot, boat or wagon.
The Cherokees called their removal ‘Nunna daul Isunyi’ (the trail where they cried). Almost two centuries on, the routes taken by the seven clans which made up the Cherokee Nation are now collectively known as the Trail Of Tears – a reminder of one of the greatest tragedies that the United States has ever inflicted upon a minority population.
The removal does not sit easily with many Americans. But this bleak period is increasingly being acknowledged in Tennessee – as I quickly discover.
Cherokee
Dr Daryl Black believes the 1836 Indian Removal Act can be likened to ethnic cleansing - but says the Cherokees have rebounded with 'great success'
Seventy miles south-west of Vonore County, the pretty riverside city of Chattanooga is also doing its bit, as home to the USA’s largest public art project celebrating the tribe’s history and culture.
The Passage is certainly a striking sight. A pedestrian link between the centre of the city and the banks of the River Tennessee, it attempts to commemorate what happened to the Cherokees here – and does so to dramatic effect. Designed to mark the start-point of the Trail Of Tears, it features a ‘weeping wall’ that pours through the exhibit towards the river – representing the tears shed as the Cherokees were driven from their homes, often at the end of a bayonet. Above, seven six-foot ceramic seals symbolise the clans that were forced out. It is hard not to be moved by the knowledge of what happened here.
The monument is located on the spot where 800 Cherokees were herded onto a steamboat at Ross’s Landing – named after the Cherokee leader of the time, Principal Chief John Ross, who watched aghast and powerless, as his people were forced onto the vessel. The unfortunate 800 were then ‘escorted’ west in what was to become the first stage of removal on June 6, 1838. Up to 8,000 Cherokees are believed to have died on the Trail Of Tears.
I learn more about these sorrowful days of the 1830s from Dr Daryl Black of the Chattanooga History Centre.
He paints a nightmarish picture of the scene, (he goes as far as to liken the Indian Removal Act to ethnic cleansing, citing Kosovo as a comparison), describing how the chief could hear the beams of the boat cracking under the weight of those crammed on board. The sadness in the air would have been palpable. Not only were the Cherokees being ripped from their homeland, but the direction in which they were travelling had dark connotations for them. According to Native American lore, dead souls head west – making the removal even more poignant.
“In 19th century America, the cultural notion of a white man’s nation predominated in most discourses about the national future,” Dr Black explains. “The inclusion of ‘inferior races’ was anathema to the vast majority of American citizens.
“When the idea of racial inferiority combined with economic interests, the stage was set for a concerted effort to whiten the eastern United States and remove people who used the land in a way that white American culture defined as wasteful.”

Humbling: The Passage marks the origin of the Trail of Tears in Chattanooga, Tennessee, and features ceramic seals to symbolise the seven clans who were forced out
However, the story has taken a positive turn of late. Dr Black considers the recovery of the Cherokee since 1838 “a great success”.
“The Cherokee have been adaptive and have successfully preserved a distinctive culture,” he continues. “They have kept their language alive, and have continued to work to protect the integrity of their nation politically, economically and socially.
“In Chattanooga, the efforts to embody Cherokee memory have sprung from a sense among many that the events that unfolded in and around Chattanooga were a shameful period in United States history.
“The moves to inscribe Cherokee memory moved forward as an act of contrition and reconciliation. The City of Chattanooga went so far as to issue a formal apology to the Cherokee Nation for the Trail Of Tears. At the same time, tremendous Cherokee input went into creating the primary carrier of this memory – the Passage public art installation.”
This spirit of collaboration and forgiveness is firmly in evidence at the Sequoyah Birthplace Museum, where I find myself caught up in a whirl of Native American food, arts and crafts, demonstrations, music and historical re-enactments. A group of Cherokees talk me through their use of weaponry – including axes and war clubs designed to kill a man with one blow. They also explain the significance of their clothing – and laughingly dismiss the Western assumption that they live in tee-pees.

Grab your partner: A barefoot Sara Nelson joins in a traditional Cherokee dance in the midst of a steamy Tennessee thunderstorm
Cherokee
Ready for battle: Mi Gi Ko Ga shows off his red war paint - made from crushed ochre
Then the dancing begins, accompanied by jovial remarks that – despite the sudden, freak thunderstorm that has just broken overhead, what is to come is not a rain dance. Visitors are encouraged to take part and before long – despite being something of a self-confessed wallflower – I am dragged from my ringside seat to join in the fun. I quickly find myself in the midst of a playful buffalo dance, barefoot in the pouring rain and loving every minute of it.
During a breather, I get to chatting to 28-year-old Mi Gi Ko Ga, a young man from the Cherokee mother town of Kituwah.
“To me, to be Ani Kituwah Gi [the Cherokee name for people from Kituwah], is priceless,” he smiles. “We are so fortunate to still have our language, culture, history, our stories, dances, our whole identity. 
“Not only are we educating ourselves, we are also simultaneously ensuring our future as a people through speaking our language, presenting our dances and sharing the elements of our history and culture through a strong oral tradition.
“We’ve been here for many years, we are here now and we shall continue to be.”
Mi Gi Ko Ga also shares with me the significance of the red paint on his face – a daubing made from crushed ochre, a mineral that occurs in different hues throughout the world.
The Cherokee traditionally used only use black and red tints, he explains. Red paint would be worn on a day-to-day basis, and was also used to paint the dead before burial.
“Warriors would paint their bodies with black and red prior to war, with the red representing blood and life, and the black death and anger,” he adds. “The particular paint schemes of the individual warrior also established his identity on the battlefield.”
There are further sights on my Tennessee tour that give me added insight into the resurgence of the Cherokee Nation: Fort Loudoun (a Cherokee-British outpost in the southern Appalachian mountains which the tribe burned to the ground after relations soured); Birchwood (the site of Blythe's ferry, from where 10,000 Cherokees were transported across the Tennessee river); Red Clay State Park (the last seat of Cherokee government before the Indian Removal Act came into force) and Cleveland (home of the Cherokee National Forest).
At every stop there is a fierce pride that the Cherokee story is now being told – a pride that is reinforced by the fact that, with a population of around 250,000, the Cherokees make up the largest American Indian group in the United States.

To the thousands of indian warriors howling their murderous war cries, it was just like hunting buffalo.
Before them, hundreds of American soldiers were retreating in disarray, stumbling and dying on the grassy slope above the Little Bighorn River.
These were no longer government troopers but terrified members of a desperate mob.
The indians, on foot and on horseback, riddled them with bullets, pummelled them with stone hammers and shot them down with arrows.
George Custer 
Heroic: A traditional portrayal of General Custer in the 1970 film Little Big Man
One solder was hit in the back of the head with an arrow and kept riding with the shaft rooted in his skull until another arrow hit him in the shoulder and finally he toppled from his horse.

So it was that Custer's famous Last stand turned from a battle into a bloody rout. In retreat, the troopers were being herded to a fording point across the river that was to become the scene of even worse slaughter as they floundered through the fast-flowing current.

There was a 15ft drop down the bank to the river. The slap of the horses' bellies as they hit the water reminded one indian warrior, Brave Bear, of 'cannon going off'.
But the way out of the river on the other side was even more difficult  -  a V-shaped cut that barely accommodated a single horse.
As mounted soldiers leapt lemming-like into the river, the crossing became jammed with a desperate mass of men and horses, all of them easy targets for the warriors now gathered on both banks.

'The indians were shooting the soldiers as they came up out of the water,' Brave Bear later recalled. 'I could see lots of blood in the water.'
Private William Meyer was shot in the eye and killed instantly. Private Henry Gordon died when a bullet went through his windpipe.
Soon after entering the river, adjutant Benny Hodgson was shot through both legs and fell from his horse.
Like all the other men who followed Custer that day, he perished beneath the burning sun, his consciousness slipping away under the blows of a merciless indian assault...
The carnage of the Battle of the Little Bighorn, in the Black Hills of Montana  -  where 'General' George Armstrong Custer led his 750 men of the 7th U.s. Cavalry into a massacre by more than 3,000 warriors of the sioux and Cheyenne tribes  -  is etched into America's soul as one of the most iconic events of the romantic old West.

The traditional story has the dashing, golden-haired, buckskin-wearing Custer bravely making his Last Stand, holding out with awesomely courageous men who refused to back down against impossible odds.
Sitting Bull
Victorious: Sitting Bull pictured in 1885. The Indian leader led a furious and savage attack on American forces
Cherished as a charismatic hero with an aura of righteous determination, in defeat he achieved the greatest of victories  -  for he would be remembered for all time.
But the truth, as the riveting new book The Last stand by award-winning historian Nathaniel Philbrick reveals, is rather different.
Philbrick suggests that while Custer may have been brave, he was also reckless  -  an impetuous and vain romantic with a narrow-minded nostalgia for a vanished past, whose ego meant he ignored orders and took appalling risks with his men's lives.
He was not a general as the legend anointed him; technically, he was a lieutenant colonel, one who at West Point military school had finished bottom of his class.
His career, after some distinction in the American Civil War during the 1860s, was on the slide, so he was desperate for a quick victory to re-establish his reputation and restore his ailing finances.
As for his army, far from being craggy-faced Marlboro men, nearly half were immigrants from England, Ireland, Germany and Italy.
They were nervous, ill-trained and overly fond of the bottle. The American plains  -  now South Dakota, Wyoming and Montana  -  would have been as strange to them as the surface of the moon.
In June 1876, when Custer and his army met their grisly end, there were no farms, ranches, towns or even military bases in the plains. This was deep into indian territory.
But, two years earlier, gold had been discovered in the nearby Black Hills by none other than Custer himself during a reconnaissance mission.
As prospectors flooded into the region, the U.s. government decided it had no option but to acquire the hills  -  by force if necessary  -  from the indigenous indians.
Thus, the campaign against the sioux and Cheyenne tribes in the spring of 1876 was hardly an effort to defend innocent American pioneers from indian attack. It was an unprovoked military invasion.
While Custer and the U.S. military believed it would be a walkover, they had not reckoned on their implacable opponent, Sitting Bull, the 45-year-old sioux leader, a man whose legs were bowed from a boyhood of riding ponies and whose left foot had been maimed by a bullet in a horse-stealing raid.
Sitting Bull was determined that his people would never give up their revered lands without a bitter fight.
After a series of increasingly bloody skirmishes in the Black Hills in May and June of 1876, the U.S. military decided only a 'severe and persistent chastisement' would bring the indians to submission.
And so Custer and 750 men were sent out as an advance party from their base camp at Fort Lincoln to locate the villages of the sioux and Cheyenne responsible for the Black Hills insurrections.
Crucially, they were under strict orders not to attack until they were joined by thousands of cavalry reinforcements who would follow later.
Errol Flynn Custer 
Fictional tale: Errol Flynn stars as Custer, surrounded by the bodies of his dead soldiers
Custer's men marched in sweltering heat for five weeks amid a pungent stench of horsehair and human sweat. As they went, they raped indian women and desecrated indian graves as they found them.
It was in the early morning of June 25 that Custer's Crow indian scouts peered out into the dawn sunlight from the rocky peak known as the Crow's Nest and tried to make sense of what they could see in the far distance of the Little Bighorn Valley.
The scouts insisted they saw a 'tremendous indian village' some 15 miles away. Sure enough, camped by the Little Bighorn River was the biggest gathering of indians any white man had ever seen: 8 ,000 men, women and children.
More than a 1,000 gleaming white tepees filled an area two miles long and a quarter-of-a-mile wide, while behind them swirled a constantly moving reddish-brown sea of 15,000 ponies.
Under his command, sitting Bull had at least 3,000 warriors, all armed with bows, but many with repeat-action rifles far superior to the single-action carbines carried by the men of the 7th.
Sitting Bull's strategy was not to go looking for a fight with the white man, but to be ready to fight back if they were attacked.
Fatally, and in defiance of his orders, Custer made the decision to do just that. it was only the first of a series of disastrous tactical errors he would make that day, many prompted by Custer's ignorance of his enemy's true strength and by his misplaced fear that they would simply run away and deprive him of a glorious victory that would revive his career.
The next blunder came after an advance of only a few miles. Angered by the fast pace set by the regiment's senior captain, Colonel Fredrick Benteen, Custer ordered Benteen to take three of the regiment's companies on a reconnaissance mission.
Custer had just reduced the size of his main force by 20 per cent.
George Custer
American hero: General George Custer has been revered as a brave leader, but there is evidence to show he was reckless with his men's lives
But he didn't stop there. His second-in-command, Major Marcus Reno, was ordered to take three more companies  -  nearly 100 men  -  and ride down the left bank of a tributary of the Little Bighorn river.
Custer himself led the remaining five companies down the right.
But there was a problem: unbeknown to Custer, Reno was drunk. Things quickly got worse: one of his men galloped to the top of a ridge and yelled that he could see indians running away.
'Running like devils,' he yelled, waving his hat. What the man could actually see is unclear, but Reno was quickly summoned from the other bank and given clear orders: 'Charge as soon as you find them.'
But Reno's advance over the ridge was a disaster. When he saw the awesome size of the indian encampment, he told his men to dismount and form into a skirmish line.
They advanced about 100 yards, planted their company flags in the soil and began firing their carbines.
Standing among his warriors, sitting Bull watched Reno advancing. When the soldiers dismounted, the chief thought it was a prelude to negotiations and sent his nephew One Bull and his friend Good Bear Boy out to talk.
Unarmed, and carrying a special shield purportedly blessed with spiritual powers, the pair rode towards the skirmish line.
When they were 30ft away, however, bullets smashed though both Good Bear Boy's legs. One Bull was enraged.
By this time, Sitting Bull had mounted his favourite horse, but when two bullets felled it from underneath him the Sioux leader quickly abandoned all hopes of peace.
'Now my best horse is shot,' he shouted, 'it is like they have shot me. Attack them.'
Sitting Bull's warriors  -  some 500 alone in the first wave  -  charged towards Reno's soldiers.
'They tried to cut through our skirmish line,' Sergeant John Ryan would later recall: 'We poured volleys into them, repulsing their charge and emptying many saddles.'
But it was a moment of false hope. As the Indians regrouped, Reno's soldiers soon realised the terrible danger they were in.
Even the most inexperienced among them had heard of the terrible tortures the Indians inflicted upon their prisoners, and they all knew the old soldiers' saying: 'Save the last bullet for yourself.'
Deafened by gunfire and war-cries, Reno's men began a retreat towards the river, with their drunken commander leading the way.
Observing from his position on high ground, Custer now realised his mistake in dividing his forces against such a vast number of Indians.
At once he dispatched a messenger to find Colonel Benteen and tell him to come quickly and bring ammunition packs.
Then Custer and his troops spurred forward into the fray.
No white man would ever see him, or his men, alive again.
Countless numbers died during Reno's shambolic retreat, including Bloody Knife, a U.S. scout who was shot in the back of the head, covering the panicking Reno in blood and brains.
By now, Reno's horse was plunging wildly. Waving his six-shooter, his face smeared with gore, Reno shouted: 'Any of you men who wish to make their escape, follow me.'
Among those who didn't get away was Isaiah Dorman, a translator married to a Sioux woman  -  and thus known to the Indians he was fighting.
His body would later be found propped up with his coffee pot and cup by his side. Both were filled with his blood.
His penis had been hacked of f and stuffed into his mouth and his testicles staked to the ground.
Another singled out for particular attention was Lieutenant Donald McIntosh, who was part-Indian and last seen surrounded by more than 25 warriors.
Custers Last Stand 
Lasting tribute: Visitors look at the Little Bighorn Battlefield National Monument set on the site of Custer's Last Stand
His body could later only be identified by a distinctive button that had been given to him by his wife.
Slowly, Reno' s shattered band regrouped on a hill on the far side of the river that would later bear his name and where, eventually, they were joined by Benteen and his three companies.
One brief but abortive attempt was made to ride to Custer's aid as his main force forged down the slope of a hill called Greasy Grass, but Reno and Benteen and their companies were beaten back by scores of charging Indians and were forced to hold out for two days under siege until reinforcements finally arrived.
For that reason, no one is quite sure what happened to Custer and his men.
Indians reported that Custer was shot down early in the battle during an attempt to ford the Little Bighorn River and take thousands of Indian women and children on the other side hostage.  
That would certainly explain the speed at which his force was overcome.
It would also explain the random, disorganised positions in which their bodies were later found after the remnants of the battalion retreated to what became known as Last Stand Hill, where the last of them met their end.
When the Indian warriors closed in to engage Custer's soldiers in hand-to-hand fighting, many of the troopers were said to be so confounded by their ferocity that they simply gave up, throwing their guns away and pleading for mercy.
One warrior, Standing Bear, later told his son that 'many of them lay on the ground, with their blue eyes open, waiting to be killed'.
Some were shot by rifles, other by arrows. Some were battered to death with stone clubs.
Custer's brother Tom is thought to have been the last to die, killed by the Cheyenne Yellow Nose who, having lost his rifle, was fighting with an old sabre.
As Yellow Nose charged, Tom pulled the trigger of his revolver. Click. He was out of bullets.
There were tears in the soldier's eyes, Yellow Nose recalled, but 'no sign of fear'.
When his body was found two days later, Tom Custer's skull had been pounded to the thickness of a man's hand. A hundred yards to the West lay the bodies of a third Custer brother, Boston, and the brothers' nephew, Autie Reed.
When the fighting came to an end, Custer's Last Stand was over. The reinforcements from Fort Lincoln who eventually relieved Benteen and Reno found several hundred bodies, hacked to pieces and bristling with arrows, putrefying in the summer sun.
Amid this scene of 'sickening, ghastly horror' they found Custer - who was just 36 years old  - lying face-up across two of his men with a smile on his face.
Custer's body had two bullet wounds, one just below the heart and one to the left temple, the latter possibly evidence of a final act of mercy, carried out by his brother Tom, to stop a wounded Custer falling into Indian hands.
His smile in death could have been manufactured post-mortem by Indians who, despite scalping, stripping and mutilating most of the bodies, let Custer's off relatively lightly  -  busting his eardrums with a spiked weapon called an awl and jamming an arrow into his genitals.
Perhaps it had been a final smile of reassurance to a brother about to commit the most harrowing act of mercy.
Or maybe it was the last rueful smile of a buccaneering adventurer who finally realised that his luck had well and truly run out.

At 6ft 7 inches tall, the imposing sight of the Sioux warrior on the battlefield would have been enough to instil the enemy with fear.
In 19th Century Salford, the towering warrior with his solemn name Surrounded By The Enemy was a source of fascination and mystery.
Surrounded, as he was better known, succumbed to a chest infection in his teepee on the chilly Salford Quays in 1887 and died.
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The warriors: Part of the 97-strong force of red indians line up for Buffalo Bill's Salford show in 1887
His body was taken to Hope Hospital, where it promptly vanished.
There was no official burial, there is no record of it being moved, and nobody admitted to taking it.

Now, 120 years later the mystery may yet be solved, with the start of excavations on the site that experts hope might just uncover the once impressive warrior's final resting place.
It was in November of 1887 - during the reign of Queen Victoria - that Surrounded left his South Dakotan homeland to make the long journey to Britain with Buffalo Bill's famed Wild West Show.

The horseman, a member of the Oglala Lakota Warriors, had been recruited by the American army scout, who formed a travelling company of 97 Native Americans, 180 bronco horses and 18 buffalo.
To the people of Salford and Manchester it must have seemed the greatest show on Earth as Buffalo Bill's Wild West and Congress of Rough Riders of the World Show (to give it its full name) set up camp on the freezing banks of the River Irwell, staying for five months.
The British tour had started in London where Queen Victoria, in her Jubilee Year, demanded several performances and adored the chief Red Shirt.
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The favourite: Chief Red Shirt caught Queen Victoria's eye
It stopped at Birmingham before reaching Salford.
They performed nightly to vast crowds, staging a 'Cowboys and Indians' show of classic gunslinging and acts of horsemanship in a massive indoor arena built on what is now Salford Quays, two years before the canals were even built.
The company raced their broncos against English thoroughbreds over a 10-mile course.
The broncos won with 300 yards to spare.
Sadly for Surrounded - thousands of miles from home - it was to be the site of his death when aged 22 he died of a lung infection.
Despite the mystery over his resting place, it thought he was probably buried in a traditional Sioux ceremony conducted by fellow famed warriors Black Elk and Red Shirt.
They too were Lakota (northen) Indians from the Oglala tribe of the Sioux Nation - who counted Sitting Bull and Crazy Horse among their numbers.

Many of the Sioux were veterans of the Battle of Little Big Horn - where General George A Custer had his last stand. Salford was a long way from the Old West, but all the better for some of the Sioux, who found themselves on the run from the US cavalry because they had been involved in the demise of Custer and his Seventh Cavalry.
Black Elk, a medicine man, and later a Roman Catholic, was interviewed in 1931 and a subsequent book, Black Elk Speaks, became a classic of Native American writing.
Black Elk and several other Sioux visitors found themselves lost in Manchester and had to make their own way back to South Dakota when the show departed.
Many years later in 1990 the Oglala Sioux were depicted in the 1990 film 'Dances with Wolves'.
Salford councillor Steve Coen is hoping that work on the foundations of a new BBC centre will uncover the remains of Salford's remaining Sioux warrior and finally solve the riddle of Surrounded.
He said: "He was the only member of the tribe to die while they were in Salford and his official records can still be traced today.
"But his body was never recovered or recorded in a church burial and it is rumoured that it could still be somewhere in the Salford Quays area."
Mr Coen, who has visited the Oglala tribe, plans another visit to the Rosebud Reservation, South Dakota, to try to trace the descendants of the 'Salford Sioux'. 
He believes that there may be people living in Salford today who have Native American ancestry.
"It is possible there may be descendants as they were here for a long time and they were certainly friendly with the local population," he said.
One Sioux baby was born in Salford and was baptised in St Clement's Church before slipping out of the history books. The Sioux connection still lives on in Salford, with street names such as Buffalo Court and Dakota Avenue.
?When there were not enough buffalo left to hunt, William Cody turned to showbusiness. The man nicknamed Buffalo Bill joined forces with another legend, "Wild Bill" Hickok, and formed a travelling circus.
In 1870 he created Buffalo Bill's Wild West and Congress of Rough Riders of the World and the show took off. He was invited to England in 1887 to be the main American contribution to Queen Victoria's-Golden Jubilee celebration. The entertainment always started with a parade and ended with a melodramatic reenactment of Custer's Last Stand, with Cody playing Custer.
In some performances Sitting Bull, who wiped out Custer, played himself. Other stars included Annie Oakley, who put on shooting exhibitions with her husband Frank Butler. Buffalo Bill died peacefully in 1917.





























































































































































































































































America's greatest Indian chiefs as they really would have looked: Lost warriors are brought back to life 



  • Beautiful portraits of Native Americans from across the US show tribes in their traditional dress
  • People from Sioux, Crow, Blackfeet and Ute are among the collection of pictures over a century old
  • Among figures include Iron White Man from Sioux who traveled with Buffalo Bill's Wild West Show



Beautiful portraits of Native Americans from almost 120 years ago have been brought to life in a collection of color photos.
The stunning array offers an insight into the vibrant cultures of each tribe from the resplendent feathered headdress of the fierce Sioux nation to the ornate beaded clothing of the Crow tribe.
The colored pictures, some dating as far back as 1899, include tribespeople from the Sioux, Crow, Ute, Passamaquoddy, Pawnee, Maricopa, Blackfeet and Salish.
Among the interesting figures captured in the vintage collection, are Iron White Man from the Sioux, who traveled with Buffalo Bill's Wild West Show, while wearing a police uniform. 
Other pictures show Plain Owl of the Crow tribe wearing traditional dress and holding a tomahawk in his lap.
Porrum and Pedro, Ute men, 1899. The Utes were a large tribe that lived in the mountain regions  of Colorado, Utah, Wyoming, Eastern Nevada and Northern New Mexico. Utes were skilled hunters, but after introducing horses into tribe life in the 17th century they became known as expert big game hunters - especially of Buffalo, which they were particularly reliant on. They also had a reputation of fierce warriors, with Spanish settlers speaking of their fine physiques and ability to live in harsh conditions - a stark contrast to the soft dispositions of their Europeans counterparts. All members of the tribe were willing to fight, with women and children also known to defend their camps with lances if needed
Porrum and Pedro, Ute men, 1899. The Utes were a large tribe that lived in the mountain regions  of Colorado, Utah, Wyoming, Eastern Nevada and Northern New Mexico. Utes were skilled hunters, but after introducing horses into tribe life in the 17th century they became known as expert big game hunters - especially of Buffalo, which they were particularly reliant on. They also had a reputation of fierce warriors, with Spanish settlers speaking of their fine physiques and ability to live in harsh conditions - a stark contrast to the soft dispositions of their Europeans counterparts. All members of the tribe were willing to fight, with women and children also known to defend their camps with lances if needed
Pictured: Peter Tall Mandan, Grandson of Long Mandan. Sioux.
Iron White Man, Sioux, 1900
Left, Peter Tall Mandan, Grandson of Long Mandan, and right, Iron White Man, Sioux, 1900. The Sioux - arguably one of the most well known Native American tribes - lived on the Great Plains in Minnesota. They were a tribe split across three divisions The Lakota, The Dakota and The Nakota. The Sioux were known to be fierce warriors, with battles such as the Little Bighorn still legendary to this day, and going to war was seen as a rights of passage for Sioux men. However, they were also a very spiritual people and their lives were centered around their families with the raising of children of the up-most importance
Sitting Eagle, Crow, early 1900s. The Crow people were a plains tribe from land near the base of the Big Horn mountains in Wyoming and Montana. The tribe were powerful and skill hunters on horseback and could demonstrate this skill during battle with techniques like hanging underneath a galloping horse by gripping the animals mane.  They were also known for their distinctive clothing, particularly their ornate and decorative bead-work (as seen in this picture). The tribe adorned beads on almost every aspect of their lives, with clothes and horses covered in them. Beads and shapes often had a common symbolism but could also be specific to a certain person, representing their standing in the community and achievements
Pictured: Po-Pa-Trecash (Plain Owl), Crow, 1910
Left, Sitting Eagle and right, Po-Pa-Trecash (Plain Owl) both from Crow nation, early 1900s. The Crow people were a plains tribe from land near the base of the Big Horn mountains in Wyoming and Montana. The tribe were powerful and skilled hunters on horseback and could demonstrate this during battle with techniques like hanging underneath a galloping horse by gripping the animals mane.  They were also known for their distinctive clothing, particularly their ornate and decorative bead-work (as seen in this picture). The tribe adorned beads on almost every aspect of their lives, with clothes and horses covered in them. Beads and shapes often had a common symbolism but could also be specific to a certain person, representing their standing in the community and achievements
Wiwi-Yokpa or Mary Elmanico, Passamaquoddy, 1913. The Passamaquoddy tribe has been living in north eastern US for several thousands years. They originate from Maine and North Brunswick and inhabited the coastal areas of Passamaquoddy Bay, Bay of Fundy and Gulf Of Maine. The Passamaquoddy were the first Native American tribe to meet European settlers in the 17th century. While the tribe traded furs with both French and English settlers, they generally distrusted the English and eventually supported the American colonists during the Revolutionary War
Wiwi-Yokpa or Mary Elmanico, Passamaquoddy, 1913. The Passamaquoddy tribe has been living in north eastern US for several thousands years. They originate from Maine and North Brunswick and inhabited the coastal areas of Passamaquoddy Bay, Bay of Fundy and Gulf Of Maine. The Passamaquoddy were the first Native American tribe to meet European settlers in the 17th century. While the tribe traded furs with both French and English settlers, they generally distrusted the English and eventually supported the American colonists during the Revolutionary War
Ke-Wa-Ko (Good Fox), Pawnee, 1902. The Pawnee people were a plains tribe that lived in Oklahoma for hundreds of years, before late inhabiting land along the North Platt River in Nebraska. Pawnees were known for their courage and endurance in battle. A testament to their warrior lineage, is that Pawnees have served in every US conflict to date, starting with Pawnee Scouts during the Native American wars of 1622. An identifiable trait of the Pawnees, although, not visible here, was a particular way of preparing their scalp locks - the lock of hair at the back of the head. The tribe would use buffalo fat to make the hair erect and arch it back like a horn
Ke-Wa-Ko (Good Fox), Pawnee, 1902. The Pawnee people were a plains tribe that lived in Oklahoma for hundreds of years, before late inhabiting land along the North Platt River in Nebraska. Pawnees were known for their courage and endurance in battle. A testament to their warrior lineage, is that Pawnees have served in every US conflict to date, starting with Pawnee Scouts during the Native American wars of 1622. An identifiable trait of the Pawnees, although, not visible here, was a particular way of preparing their scalp locks - the lock of hair at the back of the head. The tribe would use buffalo fat to make the hair erect and arch it back like a horn
Yellow Feather, Maricopa tribe. The Maricopa tribe were people that lived along the Lower Gila and Colorado Rivers in Arizona. Unlike other tribes, the Maricopa were not known for their skill as warriors and instead were farmers and known for their basket weaving, textiles and red pottery making. To avoid attacks from Quechan and Mojave tribes they formed with the Pima people and migrated to the Gila River in the 16th century
Yellow Feather, Maricopa tribe. The Maricopa tribe were people that lived along the Lower Gila and Colorado Rivers in Arizona. Unlike other tribes, the Maricopa were not known for their skill as warriors and instead were farmers and known for their basket weaving, textiles and red pottery making. To avoid attacks from Quechan and Mojave tribes they formed with the Pima people and migrated to the Gila River in the 16th century
Pictured, Thunder Cloud, Blackfeet tribe
Pictured, a Blackfeet Native American tribesman
Thunder Cloud, Blackfeet tribe. Blackfeet people lived in the plains around the Rocky Mountains in Montana, Idaho and Alberta in Canada for over 10,000 years. They were skilled hunters and relied heavily on buffalo and when Europeans hunted the animals close to extinction in the 1800s hundreds of Blackfeet died from starvation. The tribe was known for its artistry and skill at embroidering, basket making and beading. However, it was also known for its reluctance to get along with other tribes and clashed with those living in close proximity, including Assiniboine, Cree, Crows, Flatheads, Kutenai, and the Sioux
Salish, Flathead Indian Reservation, Western Montana, photo from 1905-1907. Salish people - also referred to as the Flathead tribe - were a plateau tribe who originated from land in Montana. Once the tribe had introduced horses into their way of life, they often raided the plains for bison - leading to clashes with plains tribes. Their traditional culture focused on the importance of war and how it could bring honour. Their religion also centred around guardian spirits with whom people communicated with via visions. Despite its name, there is no proof that people from the tribe ever practiced head flattening.
Salish, Flathead Indian Reservation, Western Montana, photo from 1905-1907. Salish people - also referred to as the Flathead tribe - were a plateau tribe who originated from land in Montana. Once the tribe had introduced horses into their way of life, they often raided the plains for bison - leading to clashes with plains tribes. Their traditional culture focused on the importance of war and how it could bring honour. Their religion also centred around guardian spirits with whom people communicated with via visions. Despite its name, there is no proof that people from the tribe ever practiced head flattening.Between 1887 and 1892, John C.H. Grabill sent 188 photographs to the Library of Congress for copyright protection. Grabill is known as a western photographer, documenting many aspects of frontier life — hunting, mining, western town landscapes and white settlers’ relationships with Native Americans. Most of his work is centered on Deadwood in the late 1880s and 1890s. He is most often cited for his photographs in the aftermath of the Wounded Knee Massacre on the Pine Ridge Indian Reservation.
From the Archive: The West
1
Title: "The Deadwood Coach" Side view of a stagecoach; formally dressed men sitting in and on top of coach. 1889. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
2
Title: Villa of Brule A Lakota tipi camp near Pine Ridge, in background; horses at White Clay Creek watering hole, in the foreground. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
3
Title: Ox teams at Sturgis, D.T. [i.e. Dakota Territory] Line of oxen and wagons along main street. [between 1887 and 1892] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
4
Title: The last large bull train on its way from the railroad to the Black Hills Summary: Train of oxen and three wagons in open field. 1890. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
5
Title: Freighting in "The Black Hills". Photographed between Sturgis and Deadwood Full view of ox trains, between Sturgis and Deadwood, S.D. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
6
Title: Freighting in the Black Hills A woman and a boy using bullwhackers to control a train of oxen. [between 1887 and 1892] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
7
Title: At the Dance. Part of the 8th U.S. Cavalry and 3rd Infantry at the great Indian Grass Dance on Reservation Group portrait of Big Foot's (Miniconjou) band and federal military men, in an open field, at a Grass Dance on the Cheyenne River, S.D.--on or near Cheyenne River Indian Reservation. 1890. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
8
Title: Indian chiefs who counciled with Gen. Miles and setteled [sic] the Indian War -- 1. Standing Bull, 2. Bear Who Looks Back Running [Stands and Looks Back], 3. Has the Big White Horse, 4. White Tail, 5. Liver [or Living] Bear, 6. Little Thunder, 7. Bull Dog, 8. High Hawk, 9. Lame, 10. Eagle Pipe Posed group portrait of Lakota chiefs standing in front of tipi--probably on or near Pine Ridge Indian Reservation. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
9
Title: U.S. School for Indians at Pine Ridge, S.D. Small Oglala tipi camp in front of large government school buildings in open field. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
10
Title: "Hostile Indian camp" Bird's-eye view of a large Lakota camp of tipis, horses, and wagons--probably on or near Pine Ridge Indian Reservation. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
11
Title: Indian chiefs who counciled with Gen. Miles and setteled [sic] the Indian War -- 1. Standing Bull, 2. Bear Who Looks Back Running [Stands and Looks Back], 3. Has the Big White Horse, 4. White Tail, 5. Liver [Living] Bear, 6. Little Thunder, 7. Bull Dog, 8. High Hawk, 9. Lame, 10. Eagle Pipe Group portrait of Lakota chiefs, five standing and five sitting with tipi in background--probably on or near Pine Ridge Indian Reservation. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA #
From the Archive: The West
12
Title: What's left of Big Foot's band Group of eleven Miniconjou (children and adults) in a tipi camp, probably on or near Pine Ridge Reservation. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA #
From the Archive: The West
13
Title: Indian Council in Hostile Camp Rear view of a large semi-circle of Lakota men sitting on the ground, with tipis in background, probably on or near Pine Ridge Reservation. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
14
Title: "Home of Mrs. American Horse." Visiting squaws at Mrs. A's home in hostile camp Oglala women and children seated inside an uncovered tipi frame in an encampment--most are looking away from the camera--probably on or near Pine Ridge Reservation. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
15
Title: "Red Cloud and American Horse." The two most noted chiefs now living Two Oglala chiefs, American Horse (wearing western clothing and gun-in-holster) and Red Cloud (wearing headdress), full-length portrait, facing front, shaking hands in front of tipi--probably on or near Pine Ridge Reservation. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
16
Title: The Great Hostile Camp Bird's-eye view of a Lakota camp (several tipis and wagons in large field)--probably on or near Pine Ridge Reservation. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
17
Title: "Little," the instigator of Indian Revolt at Pine Ridge Little, Oglala band leader, full-length studio portrait seated between two Euro-American men who are standing on either side of him; Chris Mathison (?) on left. 1890. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
18
Title: Deadwood Central R.R. Engineer Corps Outdoor group portrait of ten railroad engineers and a dog, posing with surveyors' transits on tripods and measuring rods, on the side of a mountain. Most of the men are sitting; all are wearing suits and hats. [1888] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
19
Title: "A pretty view." At "picnic" grounds on Homestake Road Distant view of a train engine and several cars against a large wooded area. 1890. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
20
Title: "Horse Shoe Curve." On B[urlington] and M[issouri River] R'y. Buckhorn Mountains in background Bird's-eye view of a train on tracks, just beyond a marked curve. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
21
Title: "Hot Springs, S.D." From the Fremont, Elkhorn and M.V. Ry. bridge looking north to Fred T. Evans residence and plunge bath Bird's-eye view of a developing small town with railroad track running through it. Large buildings on hilltops in background. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
22
Title: "Giant Bluff." Elk Canyon on Black Hills and Ft. P. R.R. A two-car train in front of a steep cliff; several passengers are posing in front of the train. 1890. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
23
Title: Happy Hours in Camp. G. and B.&M. Engineers Corps and Visitors Small group of men and women and two deer in front of a tent. Some of the men are playing musical instruments. 1889. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
24
Title: [Engineers Corps camp and visitors] Row of fifteen people and two deer in front of a tent. Some of the men are holding measuring poles and or standing next to surveyors' transits on tripods. 1889. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
25
Title: General Miles and staff Six military men on horseback on a hill overlooking a large encampment of tipis. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
26
Title: "Comanche," the only survivor of the Custer Massacre, 1876. History of the horse and regimental orders of the [7]th Cavalry as to the care of "Comanche" as long as he shall live Side view of horse and front view of a uniformed man holding its bridle. 1887. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
27
Title: "Grand review." U.S. troops after surrender of Indians at Pine Ridge Agency, S.D. Very distant view of a line of military men on horseback. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
28
Title: Company "C," 3rd U.S. Infantry, caught on the fly, near Fort Meade. Bear Butte in the distance Thirty five soldiers walking in a line with rifles. 1890. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
29
Title: People of Deadwood celebrating completion of a stretch of railroad Street parade with numbers "1888" in foreground. 1888. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
30
Title: Deadwood. Grand Lodge I.O.O.F. of the Dakotas, resting in front of City Hall after the Grand Parade, May 21, 1890 Group of uniformed men posing in front of a large brick building. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
31
Title: The Columbian Parade. Oct. 20th, 1892. Forming of parade on lake front. 100,000 people in sight. Section No. 1 Spectators lined up along street; buildings and street lights decorated with flags. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
32
Title: Lead City Mines and Mills. The Great Homestake Mines and Mills Distant view of mining town; hills in background. 1889. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
33
Title: Colorado Three buildings with signs reading: Grabill's Mining Exchange, Photographs, and El Paso Livery; river and houses in middleground; mountains in background. 1888. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
34
Title: Galena, S. Dakota. Bird's-eye view from southwest Bird's-eye view of a small town (main street and buildings) surrounded by hills. 1890. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
35
Title: Custer City. Custer City, Dak. from the east Distant view of small town; field in foreground and hills in background. 1890. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
36
Title: "Hot Springs, S.D." Exterior view of largest plunge bath house in U.S. on F.E. and M.V. R'y Large building with several horses and carriages in front. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
37
Title: "Hot Springs, S.D." Interior of largest plunge bath in U.S. on F.E. and M.V. R'y Interior view of plunge bath; bathers and spectators standing beside pool. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
38
Title: "Hotel Minnekahta," Hot Springs, Dak. Front view of hotel with men and women posed on the porches and balcony. 1889. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
39
Title: Camp of the 7th Cavalry, Pine Ridge Agency, S.D., Jan. 19, 1891 View of military camp: tents, horses, and wagons. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
40
Title: Deadwood, [S.D.] from Engleside Overview of homes and commercial buildings in small city; trees and mountains in background. 1888. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
41
Title: Deadwood's pride. The elegant City Hall Corner three-story building with tower. 1890. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
42
Title: The old cabin home Five men sitting in grass, in front of log cabin. [between 1887 and 1892] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
43
Title: Tallyho Coaching. Sioux City party Coaching at the Great Hot Springs of Dakota Horse-drawn stagecoach carrying by formally dressed women, children, and men. 1889. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
44
Title: The Officers' Line. Fort Meade, Dak. Homes, lawns and a few military men in residential area. 1889. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
45
Title: Fort Meade, Dakota. Bear Butte, 3 miles distant Bird's-eye view of military camp buildings; butte in background. 1888. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
46
Title: Wells Fargo Express Co. Deadwood Treasure Wagon and Guards with $250,000 gold bullion from the Great Homestake Mine, Deadwood, S.D., 1890 Five men, holding rifles, in a horse-drawn, uncovered wagon on a country road. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
47
Title: Mines and Mills. The Caledonia No. 1, Deadwood Terra No. 2, and Terra No. 3. Gold Stamp Mills, located at Terraville, Dak. Three prominent lumber mills and stacks of lumber. 1888. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
48
Title: The Interior. "Clean Up" day at the Deadwood Terra Gold Stamp Mill, one of the Homestake Mills, Terraville, Dakota Interior of saw mill; men working on equipment. 1888. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
49
Title: De Smet Gold Stamp Mill, Central City, Dak. Large mill; five smaller buildings in foreground. 1888. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
50
Title: Wood shooting in the air, De Smet Mill, Center City, Dak. Large pile of timber next to a building. 1888. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
51
Title: Capt. Taylor and 70 Indian scouts Long row of military men and Lakota scouts on horseback in front of tipi camp--probably on or near Pine Ridge Reservation. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
52
Title: The Interview. Standing Elk, No. 1; Running Hog, No. 2; Little Wolf, No. 3; Col. Oelrich, No. 4; Interpreter, No. 5 Three Cheyenne men wearing ceremonial clothing and holding rifles, greeting a Euro-American man in a suit and his interpreter in front of a building. [between 1887 and 1892] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
53
Title: "Branding cattle" Six cowboys branding cattle in front of a house. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
54
Title: Round-up scenes on Belle Fouche [sic] in 1887 Cowboys and cattle on range. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
55
Title: Cowboys, roping a buffalo on the plains Three cowboys on horses roping a buffalo. [between 1887 and 1892] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
56
Title: "Roping gray wolf," Cowboys take in a gray wolf on "Round up," in Wyoming Five cowboys on horses roping a wolf. 1887. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
57
Title: Devil's Tower Distant view of Devils Tower and reflection of tower in stream in foreground. 1890. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
58
Title: "Lake Harney Peaks," near Custer City, S.D., on B. & M. Ry Close view of peaks; hikers sitting and standing on ridges. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
59
Title: "We have it rich." Washing and panning gold, Rockerville, Dak. Old timers, Spriggs, Lamb and Dillon at work Three men, with dog, panning for gold in a stream. 1889. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
60
Title: Montana Mine Eight men, holding pick axes and shovels, standing in front of entrance to mine. 1889. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
61
Title: "Gold Dust." Placer mining at Rockerville, Dak. Old timers, Spriggs, Lamb and Dillon at work Three men placer mining with shovels, picks and pan. 1889. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
62
Title: Open cut in the great Homestake mine, at Lead City, Dak. Distant view of mine entrance; four men posed on or near three mining cars on tracks. 1888. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
63
Title: "Mills and mines." Part of the great Homestake works, Lead City, Dak. Bird's-eye view of mining factory, Homestake Works. 1889. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
64
Title: "The shepherd and flock." On F.E. & M.V. R'y. in Dakota Flock of sheep at pond of water. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West
65
Title: "Wild Bill's Monument." James B. Hickoc [i.e. Hickok], alias "Wild Bill," born May 27, 1837 at Homer, Ill. Killed by Jack McCall at Deadwood, S.D., Aug. 2, 1876, where his body now lies Headstone on Wild Bill Hickok's grave; sculpture of head and shoulders on tall monument. 1891. Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 #
From the Archive: The West







































































































In 1906, American photographer Edward S. Curtis was offered $75,000 to document North American Indians. The benefactor, J.P Morgan, was to receive 25 sets of the completed series of 20 volumes with 1,500 photographs entitled The North American Indian. Curtis set out to photograph the North American Indian way of life at a time when Native Americans were being forced from their land and stripped of their rights. Curtis’ photographs depicted a romantic version of the culture which ran contrary to the popular view of Native Americans as savages.
Born in 1868 in Wisconsin, Curtis moved with his father to the Washington territory in 1887 where he began working at a photography studio in the frontier city of Seattle. Curtis began work on his series in 1895 by photographing Princess Angeline, the daughter of Chief Sealth and published the first volume of The North American Indian in 1907. The last volume wasn’t published until 1930. In more than three decades of work documenting Native Americans, Curtis traveled from the Great Plains to the mountainous west, and from the Mexican border to western Canada to the Arctic Ocean in Alaska.
Below are selected images of the Native American way of life chosen from The Library of Congress’s Edward S. Curtis Collection. Some were published in The North American Indian but most were not published. All the captions are original to Edward Curtis.
Captured: Edward Curtis Photographs
1
Title: Sioux chiefs. Date Created/Published: c1905. Summary: Photograph shows three Native Americans on horseback. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
2
Title: Ready for the throw--Nunivak. Date Created/Published: c1929 February 28. Summary: Eskimo man seated in a kayak prepares to throw spear. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
3
Title: The mealing trough--Hopi. Date Created/Published: c1906. Summary: Four young Hopi Indian women grinding grain. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
4
Title: The scout in winter--Apsaroke. Date Created/Published: c1908 July 6. Summary: Apsaroke man on horseback on snow-covered ground, probably in Pryor Mountains, Montana. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
5
Title: At the old well of Acoma Date Created/Published: c1904 November 12. Summary: Acoma girl, seated on rock, watches as another girl fills a pottery vessel with water from a pool. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
6
Title: Mizheh and babe. Date Created/Published: c1906 December 19. Summary: Apache woman, at base of tree, holding infant in cradleboard in her lap. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
7
Title: On the Little Big Horn. Date Created/Published: c1908 July 6. Summary: Horses wading in water next to a Crow tipi encampment. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
8
Title: When winter comes. Date Created/Published: c1908 July 6. Summary: Dakota woman, carrying firewood in snow, approaches tipi. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
9
Title: A burial platform--Apsaroke. Date Created/Published: c1908 July 6. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The Oath--Apsaroke. Date Created/Published: c1908 November 19. Summary: Three Apsaroke men gazing skyward, two holding rifles, one with object skewered on arrow pointed skyward, bison skull at their feet. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Drilling ivory--King Island. Date Created/Published: c1929 February 28. Summary: Eskimo man, wearing hooded parka, manually drilling an ivory tusk. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Drying meat. Date Created/Published: c1908 November 19. Summary: Two Dakota women hanging meat to dry on poles, tent in background. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The fisherman--Wishham (i.e., Wishram). Date Created/Published: c1910 March 11. Summary: Tlakluit Indian, standing on rock, fishing with dip net. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Boys in a kaiak (i.e., kayak)--Nunivak. Date Created/Published: c1929 February 28. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Jicarilla fiesta. Date Created/Published: c1905. Summary: Jicarilla Apaches, most on horse back, moving toward encampment. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Tewa girls. Date Created/Published: c1900. Summary: Two Tewa girls standing outside pueblo building. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Nunipayo decorating pottery. Date Created/Published: c1900. Summary: Woman seated on mat painting designs on pottery. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The scout--Atsina. Date Created/Published: c1908 November 19. Summary: Atsina man, full-length portrait, standing, turned right, holding rifle while he looks over a grassy plain. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Village herald. Date Created/Published: c1907 December 26. Summary: Dakota man, wearing war bonnet, sitting on horseback, his left hand outstreched toward tipi in background, others on horseback. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The primitive artists--Paviotso. Date Created/Published: c1924 August 5. Summary: Paviotso man standing, marking side of glacial boulder that already has petroglyphs on it. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Washing wheat--San Juan. Date Created/Published: c1905 December 26. Summary: Two San Juan Indians dipping baskets of wheat into an acequia, or irrigation ditch, to dissolve dirt and to float away debris from the wheat kernels. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Invocation--Sioux. Date Created/Published: c1907 December 26. Summary: Dakota man, wearing breechcloth, holding pipe, with right hand raised skyward. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The wedding party--Qagyuhl. Date Created/Published: c1914 November 13. Summary: Two canoes pulled ashore with wedding party, bride and groom standing on "bride's seat" in the stern, relative of the bride dances on platform in bow. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: A smoky day at the Sugar Bowl--Hupa. Date Created/Published: c1923 June 30. Summary: Hupa man with spear, standing on rock midstream, in background, fog partially obscures trees on mountainsides. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Brul? war party. Date Created/Published: c1907 December 26. Summary: Brul? Indians, many wearing war bonnets, on horseback. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Hide scraping--Apsaroke. Date Created/Published: c1908 July 6. Summary: Apsaroke woman scraping hide that is secured to the ground by numerous stakes, tipi in background. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Pack horse [i.e., packhorse]--Apsaroke. Date Created/Published: c1908 July 6. Summary: Apsaroke woman on horseback, packhorse beside her. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Home of the Kalispel. Date Created/Published: c1910 March 11. Summary: Kalispel camp on a riverbank with tipis and frame houses, three canoes in water in foreground. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The fire drill--Koskimo. Date Created/Published: c1914 November 13. Summary: Koskimo man, full-length portrait, seated on ground, facing down, using a fire drill. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: A child's lodge. Date Created/Published: c1910 December 10. Summary: Piegan girl standing outside small tipi. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: On the war path--Atsina. Date Created/Published: c1908 November 19. Summary: Small band of Atsina men on horseback, some carrying staffs with feathers, one wearing a war bonnet. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Atsina camp scene. Date Created/Published: c1908 November 19. Summary: Tipis on plains. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: In a Piegan lodge. Date Created/Published: c1910 March 11. Summary: Little Plume and son Yellow Kidney seated on ground inside lodge, pipe between them. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Berry pickers, Kotzebue. Date Created/Published: c1929 February 28. Summary: Two Eskimos wearing hooded full-length fur parkas bent over picking berries from plants on the ground. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Acoma roadway Date Created/Published: c1905. Summary: Group of Acoma women, carrying pottery vessels, descending between rock formations. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The ivory carver--Nunivak. Date Created/Published: c1929 February 28. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Arikara medicine fraternity--The prayer. Date Created/Published: c1908 November 19. Summary: Arikara shamans, without shirts, backs to camera, seated in a semi-circle around a sacred cedar tree, tipis in background. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
itle: At Noatak village. Date Created/Published: c1929. Summary: Two Eskimos in kayak. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Arriving home - Noatak. Date Created/Published: c1929. Summary: Eskimo and dogs in sailboat. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The Bowman--Nootka. Date Created/Published: c1910. Summary: Rear view of nude Indian standing on rock in water and aiming arrow. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [Sun dance in progress--Cheyenne]. Date Created/Published: c1910. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The eagle catcher. Date Created/Published: c1908. Summary: Hidatsa Indian standing on large rock overlooking valley, full-length, left profile, holding eagle. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The flight of arrows. Date Created/Published: c1908. Summary: Atsina crazy dance, Indians shooting arrows toward sky. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Diegue?o house at Campo. Date Created/Published: c1924. Summary: Hut, Campo, California. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Fish-weir across Trinity River--Hupa. Date Created/Published: 1923. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [Saguaro gatherers, Maricopa tribe] Date Created/Published: 1907, c1907. Summary: Three Maricopa women with baskets on their heads, standing by Saguaro cacti. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: In camp. Date Created/Published: 1908. Summary: Two Dakota Sioux Indians cutting meat and drying it on poles. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Night medicine men. Date Created/Published: 1908, c1908. Summary: Arikara medicine ceremony with four night men dancing. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: At the water's edge--Piegan. Date Created/Published: 1910, c1910. Summary: Two tepees reflected in water of pond, with four Piegan Indians seated in front of one tepee. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: War party's farewell--Atsina. Date Created/Published: 1908. Summary: Four Atsina Indians on horseback overlooking tepees in valley beyond. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [The terraced houses of Zuni]. Date Created/Published: c1903. Summary: Adobe buildings. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Zuni gardens. Date Created/Published: c1927. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [Joseph Dead Feast Lodge--Nez Perc?]. Date Created/Published: c1905. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The chief--Klamath. Date Created/Published: c1923. Summary: Photograph shows Klamath Indian chief in ceremonial headdress standing on hill overlooking lake, California or Oregon. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Goldenrod meadows--Piegan. Date Created/Published: c1910. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Launching the boat--Little Diomede Island. Date Created/Published: c1928. Summary: Group of men launching boat from rocky shoreline. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Sled, Nunivak. Date Created/Published: c1929. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [Drying walrus hide, Diomede, Alaska]. Date Created/Published: c1929. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [Hooper Bay homes, Hooper Bay, Alaska]. Date Created/Published: c1929. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [At Nash Harbor, Nunivak, Alaska]. Date Created/Published: c1929. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [Food caches, Hooper Bay, Alaska]. Date Created/Published: c1929. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [Entering the Bad Lands. Three Sioux Indians on horseback]. Date Created/Published: c1905. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: An oasis in the Badlands. Date Created/Published: c1905. Summary: Oglala man (Red Hawk) on horse drinking at oasis. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Black Ca?on. Date Created/Published: c1905. Summary: Rear view of Crow Indian, standing, overlooking Black Ca?on. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [Blackfoot Indian fleshing a hide]. Date Created/Published: c1927. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [Eskimos in kayaks, Noatak, Alaska]. Date Created/Published: c1929. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [Cahuilla house in the desert, California]. Date Created/Published: c1924. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Preparing salmon--Wishram. Date Created/Published: c1910. Summary: Tlakluit Indian woman, sitting on ground, placing salmon fillets on wood plank, woven reed mat in background, Washington State. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: [East Mesa girls--Hopi]. Date Created/Published: c1906. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: In the village of Santa Clara. Date Created/Published: c1905. Summary: Two Pueblo women carrying jugs on their heads; trees, rail fence, stick structure along dirt path in the background. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The fruit gatherers. Date Created/Published: c1905. Summary: Two Tewa girls picking fruit with basket, bowls on the ground. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Cliff perched homes--Hopi. Date Created/Published: c1906. Summary: Four Hopi women in front of pueblo buildings. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Taos children. Date Created/Published: c1905. Summary: Four Taos children squat on rocks at edge of stream, mountains in background. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Slow Bull. Date Created/Published: c1907. Summary: Dakota man standing outside tipi gazing upward. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Piegan scout. Date Created/Published: c1910. Summary: Piegan man stands with open prairie behind him. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Woman's primitive dress--Tolowa. Date Created/Published: c1923. Summary: Ada Lopez Richards, full-length portrait, standing near the shore wearing hat, necklaces, and dress. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The Harvest--San Juan. Date Created/Published: c1905. Summary: Three women carrying baskets filled with fruit(?) on their heads. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Cutting up a beluga--Kotzebue. Date Created/Published: c1929. Summary: Three women cutting up a beluga whale. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Running Owl's daughter. Date Created/Published: c1910. Summary: Young Piegan girl, full-length portrait, wearing dress decorated with elk teeth, sitting on open ground, facing front. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Piegan encampment. Date Created/Published: c1900. Summary: Tepees with mountains in background. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Acoma belfry. Date Created/Published: c1905. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The sentinel--San Ildefonso. Date Created/Published: c1927. Summary: San Ildefonso man peering from behind large rock formation. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Wichita grass-house. Date Created/Published: c1927. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Cleaning wheat--San Juan. Other Title: The wheat cleaners. Date Created/Published: c1905. Summary: Two Tewa people processing wheat outside pueblo structure, San Juan Pueblo, New Mexico. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Hupa sweat-house. Date Created/Published: 1923. Summary: Underground building covered with wood plank roof, surrounded by wall of large rocks. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Priests passing before the pipe--Cheyenne. Date Created/Published: c1910. Summary: Group of Cheyenne people, most seated in a semicircle during sun dance ceremony, woman in foreground is holding pipe, buffalo skull in foreground. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: A Blackfoot tepee. Date Created/Published: c1927. Summary: Blackfoot Indian, (Bear Bull?) holding horse outside tipi. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Calling a moose--Cree. Date Created/Published: c1927. Summary: Cree man in woods blowing horn. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Rigid and statuesque. Date Created/Published: c1905. Summary: Three Crow men, facing right, on rock ledge. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Papago cleaning wheat (Winnowing wheat). Date Created/Published: c1907. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Tablita Dance. Date Created/Published: c1905. Summary: Tewa Indians dancing in line formation. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: A swap. Date Created/Published: c1905. Summary: Crow men on horseback apparently involved in an exchange. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Duck-skin parkas, Nunivak Date Created/Published: c1929 Feb. 28. Summary: Eskimo adult and child wearing duck-skin parkas. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Canoeing on Clayquot Sound. Date Created/Published: c1910. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Into the shadow--Clayoquot. Date Created/Published: c1910. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The smelt fisher--Trinidad Yurok. Date Created/Published: c1923 Jun. 30. Summary: Photograph shows a Yurok man fishing with a net, probably in the Trinidad area of California. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The wokas season--Klamath. Date Created/Published: c1923 Jun. 30. Summary: Photograph shows a Klamath woman in a dugout canoe resting in a field of wokas, or great yellow water lilies (nymphaea polysepala) used as food, probably in the Klamath Basin area of Oregon. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: The lone Chief--Cheyenne. Date Created/Published: c1927. Summary: Cheyenne man on horseback in shallow water. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Before the storm. Date Created/Published: c1906 December 19. Summary: Four Apaches on horseback under storm clouds. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: Fishing platform on Trinity River--Hupa. Date Created/Published: c1923 Jun. 30. Summary: Photograph shows a Hupa man sitting on a platform on a rocky cliff, handling a fishing net. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #
Captured: Edward Curtis Photographs
Title: An idle hour, Piegan. Date Created/Published: c1910 December 8. Summary: Photograph shows two Piegan Indians sitting on grassy area above a body of water. Photograph by Edward S. Curtis, Curtis (Edward S.) Collection, Library of Congress Prints and Photographs Division Washington, D.C. #